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DTSTART;VALUE=DATE:20231006
DTEND;VALUE=DATE:20231101
DTSTAMP:20261009T233630
CREATED:20230930T130918Z
LAST-MODIFIED:20230930T130918Z
UID:11890-1696550400-1698796799@www.bigpulsedance.eu
SUMMARY:Dance Umbrella 2023
DESCRIPTION:Presented by:\n									When / Where / How long:\n									How much:\n									BOOK TICKETS\n							\n			\n									Presented by:\n					Tanec PRAHA \n									When / Where / How long:\n					28 & 29 May 2022 (Brno)2 June 2022 (Ostrava) 7 June (Pilsen) 11 June (Prague)   Duration varies \n									How much:\n					Free \n									BOOK TICKETS\n					Find out more at tanecpraha.cz.se  \n							\n		\n				\n				\n					\n		\n							\n		\n				\n						\n					\n			\n								\n				\n			\n	\n	ABOUT THE SHOW\n	\n		\n		\n	\n\n\n	\n		Bosque/ Woods is a desire to create roots in the city. The performance pursues the idea of impermanence and instability of the body\, nature\, climate and collective practices. With the collaboration of local participants\, who will stand together upside down\, the body inverts space and questions time. For how long will the body stand in? For how long will the forest stand in? The research goes beyond the idea of creating a landscape in the city\, potentiating collective practices. We need more than to plant some random trees in the corner of the cities\, in the side ways of the cars or where it’s convenient for human beings. The performance inquires about other possible ways for a body to resist\, to persist\, to carry through potentialities against the city concrete\, the lack of nature\, the climate changes\, the missing trees and the forgotten woods. The duration of this collaborative performance will vary according to the ability of each person to endure the head standing. The bodies’ struggle to remain upside down calls attention to the struggle that nature itself faces. Eventually\, and at different times\, each body-tree falls to the ground\, one by one\, where they remain until the last performer falls. The concepts of empathy and solidarity lead the dramaturgy: no one leaves until the last one resists\, we don’t leave anyone behind\, we support each other. Thus\, we call attention to the importance and strength of the collective and the possibility of diversity within it\, in the same way that naturecould resist in its biodiversity. Bosque/ Woods is a piece for contemplation\, where the public can be called to a place\, but also wants to take the audience by surprise\, people who pass by and who risk stopping for a moment and looking at the forest. This work is a proposal to look at these issues in a very poetic\, powerful\, ambitious and collective way. As the brazilian indígena leadership Airton Krenak says “….human beings have forgotten that nature is not separated from us\, nature is something that we are”. Within this Woods we-nature want to resist as long as we can\, together\, as one. 	\n\n\n	ABOUT THE CREATORS\n	\n		\n		\n	\n\n\n	\n		Catarina Saraiva PT\, Clarice Lima BR\, Nina Fajdiga SL and Aline Bonamin BR are female artists fromdifferent countries\, with different backgrounds\, who came together to develop this project. Theirpractices move between performance\, choreography\, dramaturgy and curatorship\, with strong creativeforces and desires.   Clarice Lima (1983\, Fortaleza) is a dancer\, choreographer\, teacher and director. Her trajectory is marked by an intense artistic production\, with national and international visibility. She graduated at Amsterdam School of Arts – MTD Netherlands 2006 and worked with Cristian Duarte/ LOTE BR\, Nina Fajdiga SL\, Jan Fabre/ Troubleyn BE\, among others. With her dance platform FUTURA she develops partnerships and creative strategies\, moving between the languages of dance\, performance and visual arts. She presented her works at the most important Brazilian dance festivals and abroad in Portugal\, Greece\, Spain\, Slovenia\, Belgium\, Chile and Uruguay.   Catarina Saraiva works between the European and South American continents. At the moment she is thecurator of Linha de Fuga PT and Festival Verão Azul PT\, she continues her connection with the South American continent with several projects\, institutions and artists. She was the curator of Movimiento Sur CH and of Panorama Festival BR. She’s interested in the development of critical discourses and the production of knowledge through art and interested in the synergies that can be developed between the two continents.   Nina Fajdiga (1979\, Ljubljana) is a choreographer\, performer and teacher\, graduated at Amsterdam School of Arts – SNDO Netherlands 2007. In 2006 she was awarded a most promising young choreographer byAmsterdam’s ITS festival. Her works have been supported by European Cultural Foundation\, SlovenianMinistry of culture\, produced and co-produced by DWA Amsterdam\, Huis aan de Werf Utrecht\, La CalderaBarcelona\, Tanzhaus Zurich and shown in various international dance festivals. As a performer she has collaborated with David Zambrano\, Pere Faura\, Clarice Lima\, Georg Hobmaier\, Katie Duck\, Matej Kejžar\,Simone Truong\, Matjaž Pograjc\, Sinja Ožbolt\, Mateja Bučar\, Gyula Cserepes\, Vita Osojnik\, among others.   Aline Bonamin (1984\, São Paulo) graduated in dance at Anhembi Morumbi University BR. Since 2013 she has worked in collaboration with Clarice Lima at FUTURA as a performer and choreographer assistant in the works Árvores/ Trees\, Dance Hurts\, Supernada EP01 and Bichos Soltos among others. She works as a performer with Cristian Duarte BR and Uxa Xavier BR. 	\n\n\n	IMAGE GALLERY\n	\n		\n		\n	\n\n\n	\n		\n\n\n\n	\n	\n	\n		\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n		\n	\n\n	\n	\n	\n\n	\n	\n\n\n	CREDITS\n	\n		\n		\n	\n\n\n	\n		Bosque/ Woods was selected by Big Pulse Dance Alliance and co-produced by Dublin Dance Festival (lreland)\, Julidans (Netherlands)\, ONE Dance Week (Bulgaria)\, Tanz im August / HAU Hebbel am Ufer (Germany)\, Dance Umbrella ( GB)\, CODA Oslo International Dance Festival (Norway) and presented by Zodiak – Side Step Festival (Finland)\, New Baltic Dance (Lithuania)\, International Dance Festival TANEC PRAHA (Czech Republic)\, Torinodanza Festival (Italy)\, supported by Europe Creative \, program of the European Union. With the support of the Office International de la Francophonie; the French Institute
URL:https://www.bigpulsedance.eu/event/dance-umbrella-2023/
CATEGORIES:Festival
ATTACH;FMTTYPE=image/jpeg:https://www.bigpulsedance.eu/wp-content/uploads/2023/09/2DE4820-copy-2_scrop-scaled.jpg
ORGANIZER;CN="Dance%20Umbrella":MAILTO:isabella@danceumbrella.co.uk
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230922
DTEND;VALUE=DATE:20230924
DTSTAMP:20261009T233630
CREATED:20230124T201209Z
LAST-MODIFIED:20230302T162211Z
UID:11257-1695340800-1695513599@www.bigpulsedance.eu
SUMMARY:NAVY BLUE at Torinodanza Festival 2023
DESCRIPTION:Presented by:\n									When / Where / How long:\n									How much:\n									BOOK TICKETS\n							\n			\n									Presented by:\n					Tanec PRAHA \n									When / Where / How long:\n					28 & 29 May 2022 (Brno)2 June 2022 (Ostrava) 7 June (Pilsen) 11 June (Prague)   Duration varies \n									How much:\n					Free \n									BOOK TICKETS\n					Find out more at tanecpraha.cz.se  \n							\n		\n				\n				\n					\n		\n							\n		\n				\n						\n					\n			\n								\n				\n			\n	\n	ABOUT THE SHOW\n	\n		\n		\n	\n\n\n	\n		Bosque/ Woods is a desire to create roots in the city. The performance pursues the idea of impermanence and instability of the body\, nature\, climate and collective practices. With the collaboration of local participants\, who will stand together upside down\, the body inverts space and questions time. For how long will the body stand in? For how long will the forest stand in? The research goes beyond the idea of creating a landscape in the city\, potentiating collective practices. We need more than to plant some random trees in the corner of the cities\, in the side ways of the cars or where it’s convenient for human beings. The performance inquires about other possible ways for a body to resist\, to persist\, to carry through potentialities against the city concrete\, the lack of nature\, the climate changes\, the missing trees and the forgotten woods. The duration of this collaborative performance will vary according to the ability of each person to endure the head standing. The bodies’ struggle to remain upside down calls attention to the struggle that nature itself faces. Eventually\, and at different times\, each body-tree falls to the ground\, one by one\, where they remain until the last performer falls. The concepts of empathy and solidarity lead the dramaturgy: no one leaves until the last one resists\, we don’t leave anyone behind\, we support each other. Thus\, we call attention to the importance and strength of the collective and the possibility of diversity within it\, in the same way that naturecould resist in its biodiversity. Bosque/ Woods is a piece for contemplation\, where the public can be called to a place\, but also wants to take the audience by surprise\, people who pass by and who risk stopping for a moment and looking at the forest. This work is a proposal to look at these issues in a very poetic\, powerful\, ambitious and collective way. As the brazilian indígena leadership Airton Krenak says “….human beings have forgotten that nature is not separated from us\, nature is something that we are”. Within this Woods we-nature want to resist as long as we can\, together\, as one. 	\n\n\n	ABOUT THE CREATORS\n	\n		\n		\n	\n\n\n	\n		Catarina Saraiva PT\, Clarice Lima BR\, Nina Fajdiga SL and Aline Bonamin BR are female artists fromdifferent countries\, with different backgrounds\, who came together to develop this project. Theirpractices move between performance\, choreography\, dramaturgy and curatorship\, with strong creativeforces and desires.   Clarice Lima (1983\, Fortaleza) is a dancer\, choreographer\, teacher and director. Her trajectory is marked by an intense artistic production\, with national and international visibility. She graduated at Amsterdam School of Arts – MTD Netherlands 2006 and worked with Cristian Duarte/ LOTE BR\, Nina Fajdiga SL\, Jan Fabre/ Troubleyn BE\, among others. With her dance platform FUTURA she develops partnerships and creative strategies\, moving between the languages of dance\, performance and visual arts. She presented her works at the most important Brazilian dance festivals and abroad in Portugal\, Greece\, Spain\, Slovenia\, Belgium\, Chile and Uruguay.   Catarina Saraiva works between the European and South American continents. At the moment she is thecurator of Linha de Fuga PT and Festival Verão Azul PT\, she continues her connection with the South American continent with several projects\, institutions and artists. She was the curator of Movimiento Sur CH and of Panorama Festival BR. She’s interested in the development of critical discourses and the production of knowledge through art and interested in the synergies that can be developed between the two continents.   Nina Fajdiga (1979\, Ljubljana) is a choreographer\, performer and teacher\, graduated at Amsterdam School of Arts – SNDO Netherlands 2007. In 2006 she was awarded a most promising young choreographer byAmsterdam’s ITS festival. Her works have been supported by European Cultural Foundation\, SlovenianMinistry of culture\, produced and co-produced by DWA Amsterdam\, Huis aan de Werf Utrecht\, La CalderaBarcelona\, Tanzhaus Zurich and shown in various international dance festivals. As a performer she has collaborated with David Zambrano\, Pere Faura\, Clarice Lima\, Georg Hobmaier\, Katie Duck\, Matej Kejžar\,Simone Truong\, Matjaž Pograjc\, Sinja Ožbolt\, Mateja Bučar\, Gyula Cserepes\, Vita Osojnik\, among others.   Aline Bonamin (1984\, São Paulo) graduated in dance at Anhembi Morumbi University BR. Since 2013 she has worked in collaboration with Clarice Lima at FUTURA as a performer and choreographer assistant in the works Árvores/ Trees\, Dance Hurts\, Supernada EP01 and Bichos Soltos among others. She works as a performer with Cristian Duarte BR and Uxa Xavier BR. 	\n\n\n	IMAGE GALLERY\n	\n		\n		\n	\n\n\n	\n		\n\n\n\n	\n	\n	\n		\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n		\n	\n\n	\n	\n	\n\n	\n	\n\n\n	CREDITS\n	\n		\n		\n	\n\n\n	\n		Bosque/ Woods was selected by Big Pulse Dance Alliance and co-produced by Dublin Dance Festival (lreland)\, Julidans (Netherlands)\, ONE Dance Week (Bulgaria)\, Tanz im August / HAU Hebbel am Ufer (Germany)\, Dance Umbrella ( GB)\, CODA Oslo International Dance Festival (Norway) and presented by Zodiak – Side Step Festival (Finland)\, New Baltic Dance (Lithuania)\, International Dance Festival TANEC PRAHA (Czech Republic)\, Torinodanza Festival (Italy)\, supported by Europe Creative \, program of the European Union. With the support of the Office International de la Francophonie; the French Institute
URL:https://www.bigpulsedance.eu/event/navy-blue-at-torinodanza-festival-2023/
CATEGORIES:Scaling Up
ATTACH;FMTTYPE=image/png:https://www.bigpulsedance.eu/wp-content/uploads/2022/06/Navy-Blue_by-Oona-Doherty-©-Ghislain-Mirat.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230914
DTEND;VALUE=DATE:20231026
DTSTAMP:20261009T233630
CREATED:20230919T174615Z
LAST-MODIFIED:20230919T175147Z
UID:11852-1694649600-1698278399@www.bigpulsedance.eu
SUMMARY:Torinodanza Festival 2023
DESCRIPTION:Presented by:\n									When / Where / How long:\n									How much:\n									BOOK TICKETS\n							\n			\n									Presented by:\n					Tanec PRAHA \n									When / Where / How long:\n					28 & 29 May 2022 (Brno)2 June 2022 (Ostrava) 7 June (Pilsen) 11 June (Prague)   Duration varies \n									How much:\n					Free \n									BOOK TICKETS\n					Find out more at tanecpraha.cz.se  \n							\n		\n				\n				\n					\n		\n							\n		\n				\n						\n					\n			\n								\n				\n			\n	\n	ABOUT THE SHOW\n	\n		\n		\n	\n\n\n	\n		Bosque/ Woods is a desire to create roots in the city. The performance pursues the idea of impermanence and instability of the body\, nature\, climate and collective practices. With the collaboration of local participants\, who will stand together upside down\, the body inverts space and questions time. For how long will the body stand in? For how long will the forest stand in? The research goes beyond the idea of creating a landscape in the city\, potentiating collective practices. We need more than to plant some random trees in the corner of the cities\, in the side ways of the cars or where it’s convenient for human beings. The performance inquires about other possible ways for a body to resist\, to persist\, to carry through potentialities against the city concrete\, the lack of nature\, the climate changes\, the missing trees and the forgotten woods. The duration of this collaborative performance will vary according to the ability of each person to endure the head standing. The bodies’ struggle to remain upside down calls attention to the struggle that nature itself faces. Eventually\, and at different times\, each body-tree falls to the ground\, one by one\, where they remain until the last performer falls. The concepts of empathy and solidarity lead the dramaturgy: no one leaves until the last one resists\, we don’t leave anyone behind\, we support each other. Thus\, we call attention to the importance and strength of the collective and the possibility of diversity within it\, in the same way that naturecould resist in its biodiversity. Bosque/ Woods is a piece for contemplation\, where the public can be called to a place\, but also wants to take the audience by surprise\, people who pass by and who risk stopping for a moment and looking at the forest. This work is a proposal to look at these issues in a very poetic\, powerful\, ambitious and collective way. As the brazilian indígena leadership Airton Krenak says “….human beings have forgotten that nature is not separated from us\, nature is something that we are”. Within this Woods we-nature want to resist as long as we can\, together\, as one. 	\n\n\n	ABOUT THE CREATORS\n	\n		\n		\n	\n\n\n	\n		Catarina Saraiva PT\, Clarice Lima BR\, Nina Fajdiga SL and Aline Bonamin BR are female artists fromdifferent countries\, with different backgrounds\, who came together to develop this project. Theirpractices move between performance\, choreography\, dramaturgy and curatorship\, with strong creativeforces and desires.   Clarice Lima (1983\, Fortaleza) is a dancer\, choreographer\, teacher and director. Her trajectory is marked by an intense artistic production\, with national and international visibility. She graduated at Amsterdam School of Arts – MTD Netherlands 2006 and worked with Cristian Duarte/ LOTE BR\, Nina Fajdiga SL\, Jan Fabre/ Troubleyn BE\, among others. With her dance platform FUTURA she develops partnerships and creative strategies\, moving between the languages of dance\, performance and visual arts. She presented her works at the most important Brazilian dance festivals and abroad in Portugal\, Greece\, Spain\, Slovenia\, Belgium\, Chile and Uruguay.   Catarina Saraiva works between the European and South American continents. At the moment she is thecurator of Linha de Fuga PT and Festival Verão Azul PT\, she continues her connection with the South American continent with several projects\, institutions and artists. She was the curator of Movimiento Sur CH and of Panorama Festival BR. She’s interested in the development of critical discourses and the production of knowledge through art and interested in the synergies that can be developed between the two continents.   Nina Fajdiga (1979\, Ljubljana) is a choreographer\, performer and teacher\, graduated at Amsterdam School of Arts – SNDO Netherlands 2007. In 2006 she was awarded a most promising young choreographer byAmsterdam’s ITS festival. Her works have been supported by European Cultural Foundation\, SlovenianMinistry of culture\, produced and co-produced by DWA Amsterdam\, Huis aan de Werf Utrecht\, La CalderaBarcelona\, Tanzhaus Zurich and shown in various international dance festivals. As a performer she has collaborated with David Zambrano\, Pere Faura\, Clarice Lima\, Georg Hobmaier\, Katie Duck\, Matej Kejžar\,Simone Truong\, Matjaž Pograjc\, Sinja Ožbolt\, Mateja Bučar\, Gyula Cserepes\, Vita Osojnik\, among others.   Aline Bonamin (1984\, São Paulo) graduated in dance at Anhembi Morumbi University BR. Since 2013 she has worked in collaboration with Clarice Lima at FUTURA as a performer and choreographer assistant in the works Árvores/ Trees\, Dance Hurts\, Supernada EP01 and Bichos Soltos among others. She works as a performer with Cristian Duarte BR and Uxa Xavier BR. 	\n\n\n	IMAGE GALLERY\n	\n		\n		\n	\n\n\n	\n		\n\n\n\n	\n	\n	\n		\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n		\n	\n\n	\n	\n	\n\n	\n	\n\n\n	CREDITS\n	\n		\n		\n	\n\n\n	\n		Bosque/ Woods was selected by Big Pulse Dance Alliance and co-produced by Dublin Dance Festival (lreland)\, Julidans (Netherlands)\, ONE Dance Week (Bulgaria)\, Tanz im August / HAU Hebbel am Ufer (Germany)\, Dance Umbrella ( GB)\, CODA Oslo International Dance Festival (Norway) and presented by Zodiak – Side Step Festival (Finland)\, New Baltic Dance (Lithuania)\, International Dance Festival TANEC PRAHA (Czech Republic)\, Torinodanza Festival (Italy)\, supported by Europe Creative \, program of the European Union. With the support of the Office International de la Francophonie; the French Institute
URL:https://www.bigpulsedance.eu/event/torinodanza-festival-2023/
CATEGORIES:Festival
ATTACH;FMTTYPE=image/jpeg:https://www.bigpulsedance.eu/wp-content/uploads/2023/09/Torinodanza.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230809
DTEND;VALUE=DATE:20230827
DTSTAMP:20261009T233630
CREATED:20230808T171842Z
LAST-MODIFIED:20230808T172134Z
UID:11843-1691539200-1693094399@www.bigpulsedance.eu
SUMMARY:Tanz im August 2023
DESCRIPTION:Presented by:\n									When / Where / How long:\n									How much:\n									BOOK TICKETS\n							\n			\n									Presented by:\n					Tanec PRAHA \n									When / Where / How long:\n					28 & 29 May 2022 (Brno)2 June 2022 (Ostrava) 7 June (Pilsen) 11 June (Prague)   Duration varies \n									How much:\n					Free \n									BOOK TICKETS\n					Find out more at tanecpraha.cz.se  \n							\n		\n				\n				\n					\n		\n							\n		\n				\n						\n					\n			\n								\n				\n			\n	\n	ABOUT THE SHOW\n	\n		\n		\n	\n\n\n	\n		Bosque/ Woods is a desire to create roots in the city. The performance pursues the idea of impermanence and instability of the body\, nature\, climate and collective practices. With the collaboration of local participants\, who will stand together upside down\, the body inverts space and questions time. For how long will the body stand in? For how long will the forest stand in? The research goes beyond the idea of creating a landscape in the city\, potentiating collective practices. We need more than to plant some random trees in the corner of the cities\, in the side ways of the cars or where it’s convenient for human beings. The performance inquires about other possible ways for a body to resist\, to persist\, to carry through potentialities against the city concrete\, the lack of nature\, the climate changes\, the missing trees and the forgotten woods. The duration of this collaborative performance will vary according to the ability of each person to endure the head standing. The bodies’ struggle to remain upside down calls attention to the struggle that nature itself faces. Eventually\, and at different times\, each body-tree falls to the ground\, one by one\, where they remain until the last performer falls. The concepts of empathy and solidarity lead the dramaturgy: no one leaves until the last one resists\, we don’t leave anyone behind\, we support each other. Thus\, we call attention to the importance and strength of the collective and the possibility of diversity within it\, in the same way that naturecould resist in its biodiversity. Bosque/ Woods is a piece for contemplation\, where the public can be called to a place\, but also wants to take the audience by surprise\, people who pass by and who risk stopping for a moment and looking at the forest. This work is a proposal to look at these issues in a very poetic\, powerful\, ambitious and collective way. As the brazilian indígena leadership Airton Krenak says “….human beings have forgotten that nature is not separated from us\, nature is something that we are”. Within this Woods we-nature want to resist as long as we can\, together\, as one. 	\n\n\n	ABOUT THE CREATORS\n	\n		\n		\n	\n\n\n	\n		Catarina Saraiva PT\, Clarice Lima BR\, Nina Fajdiga SL and Aline Bonamin BR are female artists fromdifferent countries\, with different backgrounds\, who came together to develop this project. Theirpractices move between performance\, choreography\, dramaturgy and curatorship\, with strong creativeforces and desires.   Clarice Lima (1983\, Fortaleza) is a dancer\, choreographer\, teacher and director. Her trajectory is marked by an intense artistic production\, with national and international visibility. She graduated at Amsterdam School of Arts – MTD Netherlands 2006 and worked with Cristian Duarte/ LOTE BR\, Nina Fajdiga SL\, Jan Fabre/ Troubleyn BE\, among others. With her dance platform FUTURA she develops partnerships and creative strategies\, moving between the languages of dance\, performance and visual arts. She presented her works at the most important Brazilian dance festivals and abroad in Portugal\, Greece\, Spain\, Slovenia\, Belgium\, Chile and Uruguay.   Catarina Saraiva works between the European and South American continents. At the moment she is thecurator of Linha de Fuga PT and Festival Verão Azul PT\, she continues her connection with the South American continent with several projects\, institutions and artists. She was the curator of Movimiento Sur CH and of Panorama Festival BR. She’s interested in the development of critical discourses and the production of knowledge through art and interested in the synergies that can be developed between the two continents.   Nina Fajdiga (1979\, Ljubljana) is a choreographer\, performer and teacher\, graduated at Amsterdam School of Arts – SNDO Netherlands 2007. In 2006 she was awarded a most promising young choreographer byAmsterdam’s ITS festival. Her works have been supported by European Cultural Foundation\, SlovenianMinistry of culture\, produced and co-produced by DWA Amsterdam\, Huis aan de Werf Utrecht\, La CalderaBarcelona\, Tanzhaus Zurich and shown in various international dance festivals. As a performer she has collaborated with David Zambrano\, Pere Faura\, Clarice Lima\, Georg Hobmaier\, Katie Duck\, Matej Kejžar\,Simone Truong\, Matjaž Pograjc\, Sinja Ožbolt\, Mateja Bučar\, Gyula Cserepes\, Vita Osojnik\, among others.   Aline Bonamin (1984\, São Paulo) graduated in dance at Anhembi Morumbi University BR. Since 2013 she has worked in collaboration with Clarice Lima at FUTURA as a performer and choreographer assistant in the works Árvores/ Trees\, Dance Hurts\, Supernada EP01 and Bichos Soltos among others. She works as a performer with Cristian Duarte BR and Uxa Xavier BR. 	\n\n\n	IMAGE GALLERY\n	\n		\n		\n	\n\n\n	\n		\n\n\n\n	\n	\n	\n		\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n		\n	\n\n	\n	\n	\n\n	\n	\n\n\n	CREDITS\n	\n		\n		\n	\n\n\n	\n		Bosque/ Woods was selected by Big Pulse Dance Alliance and co-produced by Dublin Dance Festival (lreland)\, Julidans (Netherlands)\, ONE Dance Week (Bulgaria)\, Tanz im August / HAU Hebbel am Ufer (Germany)\, Dance Umbrella ( GB)\, CODA Oslo International Dance Festival (Norway) and presented by Zodiak – Side Step Festival (Finland)\, New Baltic Dance (Lithuania)\, International Dance Festival TANEC PRAHA (Czech Republic)\, Torinodanza Festival (Italy)\, supported by Europe Creative \, program of the European Union. With the support of the Office International de la Francophonie; the French Institute
URL:https://www.bigpulsedance.eu/event/tanz-im-august-2023/
CATEGORIES:Festival
ATTACH;FMTTYPE=image/png:https://www.bigpulsedance.eu/wp-content/uploads/2022/10/CARCASS-–-Marco_da_Silva_Ferreira-©-José_Caideira_TMP-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230710
DTEND;VALUE=DATE:20230712
DTSTAMP:20261009T233630
CREATED:20230629T225943Z
LAST-MODIFIED:20230629T230242Z
UID:11833-1688947200-1689119999@www.bigpulsedance.eu
SUMMARY:Carcass at Julidans 2023
DESCRIPTION:Presented by:\n									When / Where / How long:\n									How much:\n									BOOK TICKETS\n							\n			\n									Presented by:\n					Tanec PRAHA \n									When / Where / How long:\n					28 & 29 May 2022 (Brno)2 June 2022 (Ostrava) 7 June (Pilsen) 11 June (Prague)   Duration varies \n									How much:\n					Free \n									BOOK TICKETS\n					Find out more at tanecpraha.cz.se  \n							\n		\n				\n				\n					\n		\n							\n		\n				\n						\n					\n			\n								\n				\n			\n	\n	ABOUT THE SHOW\n	\n		\n		\n	\n\n\n	\n		Bosque/ Woods is a desire to create roots in the city. The performance pursues the idea of impermanence and instability of the body\, nature\, climate and collective practices. With the collaboration of local participants\, who will stand together upside down\, the body inverts space and questions time. For how long will the body stand in? For how long will the forest stand in? The research goes beyond the idea of creating a landscape in the city\, potentiating collective practices. We need more than to plant some random trees in the corner of the cities\, in the side ways of the cars or where it’s convenient for human beings. The performance inquires about other possible ways for a body to resist\, to persist\, to carry through potentialities against the city concrete\, the lack of nature\, the climate changes\, the missing trees and the forgotten woods. The duration of this collaborative performance will vary according to the ability of each person to endure the head standing. The bodies’ struggle to remain upside down calls attention to the struggle that nature itself faces. Eventually\, and at different times\, each body-tree falls to the ground\, one by one\, where they remain until the last performer falls. The concepts of empathy and solidarity lead the dramaturgy: no one leaves until the last one resists\, we don’t leave anyone behind\, we support each other. Thus\, we call attention to the importance and strength of the collective and the possibility of diversity within it\, in the same way that naturecould resist in its biodiversity. Bosque/ Woods is a piece for contemplation\, where the public can be called to a place\, but also wants to take the audience by surprise\, people who pass by and who risk stopping for a moment and looking at the forest. This work is a proposal to look at these issues in a very poetic\, powerful\, ambitious and collective way. As the brazilian indígena leadership Airton Krenak says “….human beings have forgotten that nature is not separated from us\, nature is something that we are”. Within this Woods we-nature want to resist as long as we can\, together\, as one. 	\n\n\n	ABOUT THE CREATORS\n	\n		\n		\n	\n\n\n	\n		Catarina Saraiva PT\, Clarice Lima BR\, Nina Fajdiga SL and Aline Bonamin BR are female artists fromdifferent countries\, with different backgrounds\, who came together to develop this project. Theirpractices move between performance\, choreography\, dramaturgy and curatorship\, with strong creativeforces and desires.   Clarice Lima (1983\, Fortaleza) is a dancer\, choreographer\, teacher and director. Her trajectory is marked by an intense artistic production\, with national and international visibility. She graduated at Amsterdam School of Arts – MTD Netherlands 2006 and worked with Cristian Duarte/ LOTE BR\, Nina Fajdiga SL\, Jan Fabre/ Troubleyn BE\, among others. With her dance platform FUTURA she develops partnerships and creative strategies\, moving between the languages of dance\, performance and visual arts. She presented her works at the most important Brazilian dance festivals and abroad in Portugal\, Greece\, Spain\, Slovenia\, Belgium\, Chile and Uruguay.   Catarina Saraiva works between the European and South American continents. At the moment she is thecurator of Linha de Fuga PT and Festival Verão Azul PT\, she continues her connection with the South American continent with several projects\, institutions and artists. She was the curator of Movimiento Sur CH and of Panorama Festival BR. She’s interested in the development of critical discourses and the production of knowledge through art and interested in the synergies that can be developed between the two continents.   Nina Fajdiga (1979\, Ljubljana) is a choreographer\, performer and teacher\, graduated at Amsterdam School of Arts – SNDO Netherlands 2007. In 2006 she was awarded a most promising young choreographer byAmsterdam’s ITS festival. Her works have been supported by European Cultural Foundation\, SlovenianMinistry of culture\, produced and co-produced by DWA Amsterdam\, Huis aan de Werf Utrecht\, La CalderaBarcelona\, Tanzhaus Zurich and shown in various international dance festivals. As a performer she has collaborated with David Zambrano\, Pere Faura\, Clarice Lima\, Georg Hobmaier\, Katie Duck\, Matej Kejžar\,Simone Truong\, Matjaž Pograjc\, Sinja Ožbolt\, Mateja Bučar\, Gyula Cserepes\, Vita Osojnik\, among others.   Aline Bonamin (1984\, São Paulo) graduated in dance at Anhembi Morumbi University BR. Since 2013 she has worked in collaboration with Clarice Lima at FUTURA as a performer and choreographer assistant in the works Árvores/ Trees\, Dance Hurts\, Supernada EP01 and Bichos Soltos among others. She works as a performer with Cristian Duarte BR and Uxa Xavier BR. 	\n\n\n	IMAGE GALLERY\n	\n		\n		\n	\n\n\n	\n		\n\n\n\n	\n	\n	\n		\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n		\n	\n\n	\n	\n	\n\n	\n	\n\n\n	CREDITS\n	\n		\n		\n	\n\n\n	\n		Bosque/ Woods was selected by Big Pulse Dance Alliance and co-produced by Dublin Dance Festival (lreland)\, Julidans (Netherlands)\, ONE Dance Week (Bulgaria)\, Tanz im August / HAU Hebbel am Ufer (Germany)\, Dance Umbrella ( GB)\, CODA Oslo International Dance Festival (Norway) and presented by Zodiak – Side Step Festival (Finland)\, New Baltic Dance (Lithuania)\, International Dance Festival TANEC PRAHA (Czech Republic)\, Torinodanza Festival (Italy)\, supported by Europe Creative \, program of the European Union. With the support of the Office International de la Francophonie; the French Institute
URL:https://www.bigpulsedance.eu/event/carcass-at-julidans-2023/
CATEGORIES:Scaling Up
ATTACH;FMTTYPE=image/png:https://www.bigpulsedance.eu/wp-content/uploads/2022/10/CARCASS-–-Marco_da_Silva_Ferreira-©-José_Caideira_TMP-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230709
DTEND;VALUE=DATE:20230711
DTSTAMP:20261009T233630
CREATED:20230124T200900Z
LAST-MODIFIED:20230302T162446Z
UID:11251-1688860800-1689033599@www.bigpulsedance.eu
SUMMARY:NAVY BLUE at Julidans 2023
DESCRIPTION:Presented by:\n									When / Where / How long:\n									How much:\n									BOOK TICKETS\n							\n			\n									Presented by:\n					Tanec PRAHA \n									When / Where / How long:\n					28 & 29 May 2022 (Brno)2 June 2022 (Ostrava) 7 June (Pilsen) 11 June (Prague)   Duration varies \n									How much:\n					Free \n									BOOK TICKETS\n					Find out more at tanecpraha.cz.se  \n							\n		\n				\n				\n					\n		\n							\n		\n				\n						\n					\n			\n								\n				\n			\n	\n	ABOUT THE SHOW\n	\n		\n		\n	\n\n\n	\n		Bosque/ Woods is a desire to create roots in the city. The performance pursues the idea of impermanence and instability of the body\, nature\, climate and collective practices. With the collaboration of local participants\, who will stand together upside down\, the body inverts space and questions time. For how long will the body stand in? For how long will the forest stand in? The research goes beyond the idea of creating a landscape in the city\, potentiating collective practices. We need more than to plant some random trees in the corner of the cities\, in the side ways of the cars or where it’s convenient for human beings. The performance inquires about other possible ways for a body to resist\, to persist\, to carry through potentialities against the city concrete\, the lack of nature\, the climate changes\, the missing trees and the forgotten woods. The duration of this collaborative performance will vary according to the ability of each person to endure the head standing. The bodies’ struggle to remain upside down calls attention to the struggle that nature itself faces. Eventually\, and at different times\, each body-tree falls to the ground\, one by one\, where they remain until the last performer falls. The concepts of empathy and solidarity lead the dramaturgy: no one leaves until the last one resists\, we don’t leave anyone behind\, we support each other. Thus\, we call attention to the importance and strength of the collective and the possibility of diversity within it\, in the same way that naturecould resist in its biodiversity. Bosque/ Woods is a piece for contemplation\, where the public can be called to a place\, but also wants to take the audience by surprise\, people who pass by and who risk stopping for a moment and looking at the forest. This work is a proposal to look at these issues in a very poetic\, powerful\, ambitious and collective way. As the brazilian indígena leadership Airton Krenak says “….human beings have forgotten that nature is not separated from us\, nature is something that we are”. Within this Woods we-nature want to resist as long as we can\, together\, as one. 	\n\n\n	ABOUT THE CREATORS\n	\n		\n		\n	\n\n\n	\n		Catarina Saraiva PT\, Clarice Lima BR\, Nina Fajdiga SL and Aline Bonamin BR are female artists fromdifferent countries\, with different backgrounds\, who came together to develop this project. Theirpractices move between performance\, choreography\, dramaturgy and curatorship\, with strong creativeforces and desires.   Clarice Lima (1983\, Fortaleza) is a dancer\, choreographer\, teacher and director. Her trajectory is marked by an intense artistic production\, with national and international visibility. She graduated at Amsterdam School of Arts – MTD Netherlands 2006 and worked with Cristian Duarte/ LOTE BR\, Nina Fajdiga SL\, Jan Fabre/ Troubleyn BE\, among others. With her dance platform FUTURA she develops partnerships and creative strategies\, moving between the languages of dance\, performance and visual arts. She presented her works at the most important Brazilian dance festivals and abroad in Portugal\, Greece\, Spain\, Slovenia\, Belgium\, Chile and Uruguay.   Catarina Saraiva works between the European and South American continents. At the moment she is thecurator of Linha de Fuga PT and Festival Verão Azul PT\, she continues her connection with the South American continent with several projects\, institutions and artists. She was the curator of Movimiento Sur CH and of Panorama Festival BR. She’s interested in the development of critical discourses and the production of knowledge through art and interested in the synergies that can be developed between the two continents.   Nina Fajdiga (1979\, Ljubljana) is a choreographer\, performer and teacher\, graduated at Amsterdam School of Arts – SNDO Netherlands 2007. In 2006 she was awarded a most promising young choreographer byAmsterdam’s ITS festival. Her works have been supported by European Cultural Foundation\, SlovenianMinistry of culture\, produced and co-produced by DWA Amsterdam\, Huis aan de Werf Utrecht\, La CalderaBarcelona\, Tanzhaus Zurich and shown in various international dance festivals. As a performer she has collaborated with David Zambrano\, Pere Faura\, Clarice Lima\, Georg Hobmaier\, Katie Duck\, Matej Kejžar\,Simone Truong\, Matjaž Pograjc\, Sinja Ožbolt\, Mateja Bučar\, Gyula Cserepes\, Vita Osojnik\, among others.   Aline Bonamin (1984\, São Paulo) graduated in dance at Anhembi Morumbi University BR. Since 2013 she has worked in collaboration with Clarice Lima at FUTURA as a performer and choreographer assistant in the works Árvores/ Trees\, Dance Hurts\, Supernada EP01 and Bichos Soltos among others. She works as a performer with Cristian Duarte BR and Uxa Xavier BR. 	\n\n\n	IMAGE GALLERY\n	\n		\n		\n	\n\n\n	\n		\n\n\n\n	\n	\n	\n		\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n		\n	\n\n	\n	\n	\n\n	\n	\n\n\n	CREDITS\n	\n		\n		\n	\n\n\n	\n		Bosque/ Woods was selected by Big Pulse Dance Alliance and co-produced by Dublin Dance Festival (lreland)\, Julidans (Netherlands)\, ONE Dance Week (Bulgaria)\, Tanz im August / HAU Hebbel am Ufer (Germany)\, Dance Umbrella ( GB)\, CODA Oslo International Dance Festival (Norway) and presented by Zodiak – Side Step Festival (Finland)\, New Baltic Dance (Lithuania)\, International Dance Festival TANEC PRAHA (Czech Republic)\, Torinodanza Festival (Italy)\, supported by Europe Creative \, program of the European Union. With the support of the Office International de la Francophonie; the French Institute
URL:https://www.bigpulsedance.eu/event/navy-blue-at-julidans-2023/
CATEGORIES:Scaling Up
ATTACH;FMTTYPE=image/png:https://www.bigpulsedance.eu/wp-content/uploads/2022/06/Navy-Blue_by-Oona-Doherty-©-Ghislain-Mirat.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230702
DTEND;VALUE=DATE:20230717
DTSTAMP:20261009T233630
CREATED:20230303T114323Z
LAST-MODIFIED:20230629T222821Z
UID:11422-1688256000-1689551999@www.bigpulsedance.eu
SUMMARY:Julidans 2023
DESCRIPTION:Presented by:\n									When / Where / How long:\n									How much:\n									BOOK TICKETS\n							\n			\n									Presented by:\n					Tanec PRAHA \n									When / Where / How long:\n					28 & 29 May 2022 (Brno)2 June 2022 (Ostrava) 7 June (Pilsen) 11 June (Prague)   Duration varies \n									How much:\n					Free \n									BOOK TICKETS\n					Find out more at tanecpraha.cz.se  \n							\n		\n				\n				\n					\n		\n							\n		\n				\n						\n					\n			\n								\n				\n			\n	\n	ABOUT THE SHOW\n	\n		\n		\n	\n\n\n	\n		Bosque/ Woods is a desire to create roots in the city. The performance pursues the idea of impermanence and instability of the body\, nature\, climate and collective practices. With the collaboration of local participants\, who will stand together upside down\, the body inverts space and questions time. For how long will the body stand in? For how long will the forest stand in? The research goes beyond the idea of creating a landscape in the city\, potentiating collective practices. We need more than to plant some random trees in the corner of the cities\, in the side ways of the cars or where it’s convenient for human beings. The performance inquires about other possible ways for a body to resist\, to persist\, to carry through potentialities against the city concrete\, the lack of nature\, the climate changes\, the missing trees and the forgotten woods. The duration of this collaborative performance will vary according to the ability of each person to endure the head standing. The bodies’ struggle to remain upside down calls attention to the struggle that nature itself faces. Eventually\, and at different times\, each body-tree falls to the ground\, one by one\, where they remain until the last performer falls. The concepts of empathy and solidarity lead the dramaturgy: no one leaves until the last one resists\, we don’t leave anyone behind\, we support each other. Thus\, we call attention to the importance and strength of the collective and the possibility of diversity within it\, in the same way that naturecould resist in its biodiversity. Bosque/ Woods is a piece for contemplation\, where the public can be called to a place\, but also wants to take the audience by surprise\, people who pass by and who risk stopping for a moment and looking at the forest. This work is a proposal to look at these issues in a very poetic\, powerful\, ambitious and collective way. As the brazilian indígena leadership Airton Krenak says “….human beings have forgotten that nature is not separated from us\, nature is something that we are”. Within this Woods we-nature want to resist as long as we can\, together\, as one. 	\n\n\n	ABOUT THE CREATORS\n	\n		\n		\n	\n\n\n	\n		Catarina Saraiva PT\, Clarice Lima BR\, Nina Fajdiga SL and Aline Bonamin BR are female artists fromdifferent countries\, with different backgrounds\, who came together to develop this project. Theirpractices move between performance\, choreography\, dramaturgy and curatorship\, with strong creativeforces and desires.   Clarice Lima (1983\, Fortaleza) is a dancer\, choreographer\, teacher and director. Her trajectory is marked by an intense artistic production\, with national and international visibility. She graduated at Amsterdam School of Arts – MTD Netherlands 2006 and worked with Cristian Duarte/ LOTE BR\, Nina Fajdiga SL\, Jan Fabre/ Troubleyn BE\, among others. With her dance platform FUTURA she develops partnerships and creative strategies\, moving between the languages of dance\, performance and visual arts. She presented her works at the most important Brazilian dance festivals and abroad in Portugal\, Greece\, Spain\, Slovenia\, Belgium\, Chile and Uruguay.   Catarina Saraiva works between the European and South American continents. At the moment she is thecurator of Linha de Fuga PT and Festival Verão Azul PT\, she continues her connection with the South American continent with several projects\, institutions and artists. She was the curator of Movimiento Sur CH and of Panorama Festival BR. She’s interested in the development of critical discourses and the production of knowledge through art and interested in the synergies that can be developed between the two continents.   Nina Fajdiga (1979\, Ljubljana) is a choreographer\, performer and teacher\, graduated at Amsterdam School of Arts – SNDO Netherlands 2007. In 2006 she was awarded a most promising young choreographer byAmsterdam’s ITS festival. Her works have been supported by European Cultural Foundation\, SlovenianMinistry of culture\, produced and co-produced by DWA Amsterdam\, Huis aan de Werf Utrecht\, La CalderaBarcelona\, Tanzhaus Zurich and shown in various international dance festivals. As a performer she has collaborated with David Zambrano\, Pere Faura\, Clarice Lima\, Georg Hobmaier\, Katie Duck\, Matej Kejžar\,Simone Truong\, Matjaž Pograjc\, Sinja Ožbolt\, Mateja Bučar\, Gyula Cserepes\, Vita Osojnik\, among others.   Aline Bonamin (1984\, São Paulo) graduated in dance at Anhembi Morumbi University BR. Since 2013 she has worked in collaboration with Clarice Lima at FUTURA as a performer and choreographer assistant in the works Árvores/ Trees\, Dance Hurts\, Supernada EP01 and Bichos Soltos among others. She works as a performer with Cristian Duarte BR and Uxa Xavier BR. 	\n\n\n	IMAGE GALLERY\n	\n		\n		\n	\n\n\n	\n		\n\n\n\n	\n	\n	\n		\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n		\n	\n\n	\n	\n	\n\n	\n	\n\n\n	CREDITS\n	\n		\n		\n	\n\n\n	\n		Bosque/ Woods was selected by Big Pulse Dance Alliance and co-produced by Dublin Dance Festival (lreland)\, Julidans (Netherlands)\, ONE Dance Week (Bulgaria)\, Tanz im August / HAU Hebbel am Ufer (Germany)\, Dance Umbrella ( GB)\, CODA Oslo International Dance Festival (Norway) and presented by Zodiak – Side Step Festival (Finland)\, New Baltic Dance (Lithuania)\, International Dance Festival TANEC PRAHA (Czech Republic)\, Torinodanza Festival (Italy)\, supported by Europe Creative \, program of the European Union. With the support of the Office International de la Francophonie; the French Institute
URL:https://www.bigpulsedance.eu/event/julidans-2023/
CATEGORIES:Festival
ATTACH;FMTTYPE=image/jpeg:https://www.bigpulsedance.eu/wp-content/uploads/2023/06/Julidans-2023-STAAND-©-Jaap-Scheeren-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230622
DTEND;VALUE=DATE:20230623
DTSTAMP:20261009T233630
CREATED:20230124T200649Z
LAST-MODIFIED:20230328T083718Z
UID:11246-1687392000-1687478399@www.bigpulsedance.eu
SUMMARY:NAVY BLUE at TANEC PRAHA 2023
DESCRIPTION:Presented by:\n									When / Where / How long:\n									How much:\n									BOOK TICKETS\n							\n			\n									Presented by:\n					Tanec PRAHA \n									When / Where / How long:\n					28 & 29 May 2022 (Brno)2 June 2022 (Ostrava) 7 June (Pilsen) 11 June (Prague)   Duration varies \n									How much:\n					Free \n									BOOK TICKETS\n					Find out more at tanecpraha.cz.se  \n							\n		\n				\n				\n					\n		\n							\n		\n				\n						\n					\n			\n								\n				\n			\n	\n	ABOUT THE SHOW\n	\n		\n		\n	\n\n\n	\n		Bosque/ Woods is a desire to create roots in the city. The performance pursues the idea of impermanence and instability of the body\, nature\, climate and collective practices. With the collaboration of local participants\, who will stand together upside down\, the body inverts space and questions time. For how long will the body stand in? For how long will the forest stand in? The research goes beyond the idea of creating a landscape in the city\, potentiating collective practices. We need more than to plant some random trees in the corner of the cities\, in the side ways of the cars or where it’s convenient for human beings. The performance inquires about other possible ways for a body to resist\, to persist\, to carry through potentialities against the city concrete\, the lack of nature\, the climate changes\, the missing trees and the forgotten woods. The duration of this collaborative performance will vary according to the ability of each person to endure the head standing. The bodies’ struggle to remain upside down calls attention to the struggle that nature itself faces. Eventually\, and at different times\, each body-tree falls to the ground\, one by one\, where they remain until the last performer falls. The concepts of empathy and solidarity lead the dramaturgy: no one leaves until the last one resists\, we don’t leave anyone behind\, we support each other. Thus\, we call attention to the importance and strength of the collective and the possibility of diversity within it\, in the same way that naturecould resist in its biodiversity. Bosque/ Woods is a piece for contemplation\, where the public can be called to a place\, but also wants to take the audience by surprise\, people who pass by and who risk stopping for a moment and looking at the forest. This work is a proposal to look at these issues in a very poetic\, powerful\, ambitious and collective way. As the brazilian indígena leadership Airton Krenak says “….human beings have forgotten that nature is not separated from us\, nature is something that we are”. Within this Woods we-nature want to resist as long as we can\, together\, as one. 	\n\n\n	ABOUT THE CREATORS\n	\n		\n		\n	\n\n\n	\n		Catarina Saraiva PT\, Clarice Lima BR\, Nina Fajdiga SL and Aline Bonamin BR are female artists fromdifferent countries\, with different backgrounds\, who came together to develop this project. Theirpractices move between performance\, choreography\, dramaturgy and curatorship\, with strong creativeforces and desires.   Clarice Lima (1983\, Fortaleza) is a dancer\, choreographer\, teacher and director. Her trajectory is marked by an intense artistic production\, with national and international visibility. She graduated at Amsterdam School of Arts – MTD Netherlands 2006 and worked with Cristian Duarte/ LOTE BR\, Nina Fajdiga SL\, Jan Fabre/ Troubleyn BE\, among others. With her dance platform FUTURA she develops partnerships and creative strategies\, moving between the languages of dance\, performance and visual arts. She presented her works at the most important Brazilian dance festivals and abroad in Portugal\, Greece\, Spain\, Slovenia\, Belgium\, Chile and Uruguay.   Catarina Saraiva works between the European and South American continents. At the moment she is thecurator of Linha de Fuga PT and Festival Verão Azul PT\, she continues her connection with the South American continent with several projects\, institutions and artists. She was the curator of Movimiento Sur CH and of Panorama Festival BR. She’s interested in the development of critical discourses and the production of knowledge through art and interested in the synergies that can be developed between the two continents.   Nina Fajdiga (1979\, Ljubljana) is a choreographer\, performer and teacher\, graduated at Amsterdam School of Arts – SNDO Netherlands 2007. In 2006 she was awarded a most promising young choreographer byAmsterdam’s ITS festival. Her works have been supported by European Cultural Foundation\, SlovenianMinistry of culture\, produced and co-produced by DWA Amsterdam\, Huis aan de Werf Utrecht\, La CalderaBarcelona\, Tanzhaus Zurich and shown in various international dance festivals. As a performer she has collaborated with David Zambrano\, Pere Faura\, Clarice Lima\, Georg Hobmaier\, Katie Duck\, Matej Kejžar\,Simone Truong\, Matjaž Pograjc\, Sinja Ožbolt\, Mateja Bučar\, Gyula Cserepes\, Vita Osojnik\, among others.   Aline Bonamin (1984\, São Paulo) graduated in dance at Anhembi Morumbi University BR. Since 2013 she has worked in collaboration with Clarice Lima at FUTURA as a performer and choreographer assistant in the works Árvores/ Trees\, Dance Hurts\, Supernada EP01 and Bichos Soltos among others. She works as a performer with Cristian Duarte BR and Uxa Xavier BR. 	\n\n\n	IMAGE GALLERY\n	\n		\n		\n	\n\n\n	\n		\n\n\n\n	\n	\n	\n		\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n		\n	\n\n	\n	\n	\n\n	\n	\n\n\n	CREDITS\n	\n		\n		\n	\n\n\n	\n		Bosque/ Woods was selected by Big Pulse Dance Alliance and co-produced by Dublin Dance Festival (lreland)\, Julidans (Netherlands)\, ONE Dance Week (Bulgaria)\, Tanz im August / HAU Hebbel am Ufer (Germany)\, Dance Umbrella ( GB)\, CODA Oslo International Dance Festival (Norway) and presented by Zodiak – Side Step Festival (Finland)\, New Baltic Dance (Lithuania)\, International Dance Festival TANEC PRAHA (Czech Republic)\, Torinodanza Festival (Italy)\, supported by Europe Creative \, program of the European Union. With the support of the Office International de la Francophonie; the French Institute
URL:https://www.bigpulsedance.eu/event/navy-blue-at-tanec-praha-2023/
CATEGORIES:Scaling Up
ATTACH;FMTTYPE=image/png:https://www.bigpulsedance.eu/wp-content/uploads/2022/06/Navy-Blue_by-Oona-Doherty-©-Ghislain-Mirat.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230612
DTEND;VALUE=DATE:20230613
DTSTAMP:20261009T233630
CREATED:20230302T153638Z
LAST-MODIFIED:20230512T102300Z
UID:11369-1686528000-1686614399@www.bigpulsedance.eu
SUMMARY:GRAND JETÉ | Theatre Reduta (Brno\, Czech Republic)
DESCRIPTION:Presented by:\n									When / Where / How long:\n									How much:\n									BOOK TICKETS\n							\n			\n									Presented by:\n					Tanec PRAHA \n									When / Where / How long:\n					28 & 29 May 2022 (Brno)2 June 2022 (Ostrava) 7 June (Pilsen) 11 June (Prague)   Duration varies \n									How much:\n					Free \n									BOOK TICKETS\n					Find out more at tanecpraha.cz.se  \n							\n		\n				\n				\n					\n		\n							\n		\n				\n						\n					\n			\n								\n				\n			\n	\n	ABOUT THE SHOW\n	\n		\n		\n	\n\n\n	\n		Bosque/ Woods is a desire to create roots in the city. The performance pursues the idea of impermanence and instability of the body\, nature\, climate and collective practices. With the collaboration of local participants\, who will stand together upside down\, the body inverts space and questions time. For how long will the body stand in? For how long will the forest stand in? The research goes beyond the idea of creating a landscape in the city\, potentiating collective practices. We need more than to plant some random trees in the corner of the cities\, in the side ways of the cars or where it’s convenient for human beings. The performance inquires about other possible ways for a body to resist\, to persist\, to carry through potentialities against the city concrete\, the lack of nature\, the climate changes\, the missing trees and the forgotten woods. The duration of this collaborative performance will vary according to the ability of each person to endure the head standing. The bodies’ struggle to remain upside down calls attention to the struggle that nature itself faces. Eventually\, and at different times\, each body-tree falls to the ground\, one by one\, where they remain until the last performer falls. The concepts of empathy and solidarity lead the dramaturgy: no one leaves until the last one resists\, we don’t leave anyone behind\, we support each other. Thus\, we call attention to the importance and strength of the collective and the possibility of diversity within it\, in the same way that naturecould resist in its biodiversity. Bosque/ Woods is a piece for contemplation\, where the public can be called to a place\, but also wants to take the audience by surprise\, people who pass by and who risk stopping for a moment and looking at the forest. This work is a proposal to look at these issues in a very poetic\, powerful\, ambitious and collective way. As the brazilian indígena leadership Airton Krenak says “….human beings have forgotten that nature is not separated from us\, nature is something that we are”. Within this Woods we-nature want to resist as long as we can\, together\, as one. 	\n\n\n	ABOUT THE CREATORS\n	\n		\n		\n	\n\n\n	\n		Catarina Saraiva PT\, Clarice Lima BR\, Nina Fajdiga SL and Aline Bonamin BR are female artists fromdifferent countries\, with different backgrounds\, who came together to develop this project. Theirpractices move between performance\, choreography\, dramaturgy and curatorship\, with strong creativeforces and desires.   Clarice Lima (1983\, Fortaleza) is a dancer\, choreographer\, teacher and director. Her trajectory is marked by an intense artistic production\, with national and international visibility. She graduated at Amsterdam School of Arts – MTD Netherlands 2006 and worked with Cristian Duarte/ LOTE BR\, Nina Fajdiga SL\, Jan Fabre/ Troubleyn BE\, among others. With her dance platform FUTURA she develops partnerships and creative strategies\, moving between the languages of dance\, performance and visual arts. She presented her works at the most important Brazilian dance festivals and abroad in Portugal\, Greece\, Spain\, Slovenia\, Belgium\, Chile and Uruguay.   Catarina Saraiva works between the European and South American continents. At the moment she is thecurator of Linha de Fuga PT and Festival Verão Azul PT\, she continues her connection with the South American continent with several projects\, institutions and artists. She was the curator of Movimiento Sur CH and of Panorama Festival BR. She’s interested in the development of critical discourses and the production of knowledge through art and interested in the synergies that can be developed between the two continents.   Nina Fajdiga (1979\, Ljubljana) is a choreographer\, performer and teacher\, graduated at Amsterdam School of Arts – SNDO Netherlands 2007. In 2006 she was awarded a most promising young choreographer byAmsterdam’s ITS festival. Her works have been supported by European Cultural Foundation\, SlovenianMinistry of culture\, produced and co-produced by DWA Amsterdam\, Huis aan de Werf Utrecht\, La CalderaBarcelona\, Tanzhaus Zurich and shown in various international dance festivals. As a performer she has collaborated with David Zambrano\, Pere Faura\, Clarice Lima\, Georg Hobmaier\, Katie Duck\, Matej Kejžar\,Simone Truong\, Matjaž Pograjc\, Sinja Ožbolt\, Mateja Bučar\, Gyula Cserepes\, Vita Osojnik\, among others.   Aline Bonamin (1984\, São Paulo) graduated in dance at Anhembi Morumbi University BR. Since 2013 she has worked in collaboration with Clarice Lima at FUTURA as a performer and choreographer assistant in the works Árvores/ Trees\, Dance Hurts\, Supernada EP01 and Bichos Soltos among others. She works as a performer with Cristian Duarte BR and Uxa Xavier BR. 	\n\n\n	IMAGE GALLERY\n	\n		\n		\n	\n\n\n	\n		\n\n\n\n	\n	\n	\n		\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n		\n	\n\n	\n	\n	\n\n	\n	\n\n\n	CREDITS\n	\n		\n		\n	\n\n\n	\n		Bosque/ Woods was selected by Big Pulse Dance Alliance and co-produced by Dublin Dance Festival (lreland)\, Julidans (Netherlands)\, ONE Dance Week (Bulgaria)\, Tanz im August / HAU Hebbel am Ufer (Germany)\, Dance Umbrella ( GB)\, CODA Oslo International Dance Festival (Norway) and presented by Zodiak – Side Step Festival (Finland)\, New Baltic Dance (Lithuania)\, International Dance Festival TANEC PRAHA (Czech Republic)\, Torinodanza Festival (Italy)\, supported by Europe Creative \, program of the European Union. With the support of the Office International de la Francophonie; the French Institute
URL:https://www.bigpulsedance.eu/event/grand-jete-reduta-theatre-brno-czech-republic/
CATEGORIES:Scaling Up
ATTACH;FMTTYPE=image/jpeg:https://www.bigpulsedance.eu/wp-content/uploads/2023/01/ph.-Andrea-Macchia-2-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230608
DTEND;VALUE=DATE:20230612
DTSTAMP:20261009T233630
CREATED:20230512T102536Z
LAST-MODIFIED:20230512T102859Z
UID:11700-1686182400-1686527999@www.bigpulsedance.eu
SUMMARY:VISITING ARTISTS PROGRAMME at TANEC PRAHA 2023
DESCRIPTION:Presented by:\n									When / Where / How long:\n									How much:\n									BOOK TICKETS\n							\n			\n									Presented by:\n					Tanec PRAHA \n									When / Where / How long:\n					28 & 29 May 2022 (Brno)2 June 2022 (Ostrava) 7 June (Pilsen) 11 June (Prague)   Duration varies \n									How much:\n					Free \n									BOOK TICKETS\n					Find out more at tanecpraha.cz.se  \n							\n		\n				\n				\n					\n		\n							\n		\n				\n						\n					\n			\n								\n				\n			\n	\n	ABOUT THE SHOW\n	\n		\n		\n	\n\n\n	\n		Bosque/ Woods is a desire to create roots in the city. The performance pursues the idea of impermanence and instability of the body\, nature\, climate and collective practices. With the collaboration of local participants\, who will stand together upside down\, the body inverts space and questions time. For how long will the body stand in? For how long will the forest stand in? The research goes beyond the idea of creating a landscape in the city\, potentiating collective practices. We need more than to plant some random trees in the corner of the cities\, in the side ways of the cars or where it’s convenient for human beings. The performance inquires about other possible ways for a body to resist\, to persist\, to carry through potentialities against the city concrete\, the lack of nature\, the climate changes\, the missing trees and the forgotten woods. The duration of this collaborative performance will vary according to the ability of each person to endure the head standing. The bodies’ struggle to remain upside down calls attention to the struggle that nature itself faces. Eventually\, and at different times\, each body-tree falls to the ground\, one by one\, where they remain until the last performer falls. The concepts of empathy and solidarity lead the dramaturgy: no one leaves until the last one resists\, we don’t leave anyone behind\, we support each other. Thus\, we call attention to the importance and strength of the collective and the possibility of diversity within it\, in the same way that naturecould resist in its biodiversity. Bosque/ Woods is a piece for contemplation\, where the public can be called to a place\, but also wants to take the audience by surprise\, people who pass by and who risk stopping for a moment and looking at the forest. This work is a proposal to look at these issues in a very poetic\, powerful\, ambitious and collective way. As the brazilian indígena leadership Airton Krenak says “….human beings have forgotten that nature is not separated from us\, nature is something that we are”. Within this Woods we-nature want to resist as long as we can\, together\, as one. 	\n\n\n	ABOUT THE CREATORS\n	\n		\n		\n	\n\n\n	\n		Catarina Saraiva PT\, Clarice Lima BR\, Nina Fajdiga SL and Aline Bonamin BR are female artists fromdifferent countries\, with different backgrounds\, who came together to develop this project. Theirpractices move between performance\, choreography\, dramaturgy and curatorship\, with strong creativeforces and desires.   Clarice Lima (1983\, Fortaleza) is a dancer\, choreographer\, teacher and director. Her trajectory is marked by an intense artistic production\, with national and international visibility. She graduated at Amsterdam School of Arts – MTD Netherlands 2006 and worked with Cristian Duarte/ LOTE BR\, Nina Fajdiga SL\, Jan Fabre/ Troubleyn BE\, among others. With her dance platform FUTURA she develops partnerships and creative strategies\, moving between the languages of dance\, performance and visual arts. She presented her works at the most important Brazilian dance festivals and abroad in Portugal\, Greece\, Spain\, Slovenia\, Belgium\, Chile and Uruguay.   Catarina Saraiva works between the European and South American continents. At the moment she is thecurator of Linha de Fuga PT and Festival Verão Azul PT\, she continues her connection with the South American continent with several projects\, institutions and artists. She was the curator of Movimiento Sur CH and of Panorama Festival BR. She’s interested in the development of critical discourses and the production of knowledge through art and interested in the synergies that can be developed between the two continents.   Nina Fajdiga (1979\, Ljubljana) is a choreographer\, performer and teacher\, graduated at Amsterdam School of Arts – SNDO Netherlands 2007. In 2006 she was awarded a most promising young choreographer byAmsterdam’s ITS festival. Her works have been supported by European Cultural Foundation\, SlovenianMinistry of culture\, produced and co-produced by DWA Amsterdam\, Huis aan de Werf Utrecht\, La CalderaBarcelona\, Tanzhaus Zurich and shown in various international dance festivals. As a performer she has collaborated with David Zambrano\, Pere Faura\, Clarice Lima\, Georg Hobmaier\, Katie Duck\, Matej Kejžar\,Simone Truong\, Matjaž Pograjc\, Sinja Ožbolt\, Mateja Bučar\, Gyula Cserepes\, Vita Osojnik\, among others.   Aline Bonamin (1984\, São Paulo) graduated in dance at Anhembi Morumbi University BR. Since 2013 she has worked in collaboration with Clarice Lima at FUTURA as a performer and choreographer assistant in the works Árvores/ Trees\, Dance Hurts\, Supernada EP01 and Bichos Soltos among others. She works as a performer with Cristian Duarte BR and Uxa Xavier BR. 	\n\n\n	IMAGE GALLERY\n	\n		\n		\n	\n\n\n	\n		\n\n\n\n	\n	\n	\n		\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n		\n	\n\n	\n	\n	\n\n	\n	\n\n\n	CREDITS\n	\n		\n		\n	\n\n\n	\n		Bosque/ Woods was selected by Big Pulse Dance Alliance and co-produced by Dublin Dance Festival (lreland)\, Julidans (Netherlands)\, ONE Dance Week (Bulgaria)\, Tanz im August / HAU Hebbel am Ufer (Germany)\, Dance Umbrella ( GB)\, CODA Oslo International Dance Festival (Norway) and presented by Zodiak – Side Step Festival (Finland)\, New Baltic Dance (Lithuania)\, International Dance Festival TANEC PRAHA (Czech Republic)\, Torinodanza Festival (Italy)\, supported by Europe Creative \, program of the European Union. With the support of the Office International de la Francophonie; the French Institute
URL:https://www.bigpulsedance.eu/event/visiting-artists-programme-at-tanec-praha-2023/
CATEGORIES:Festival
ATTACH;FMTTYPE=image/jpeg:https://www.bigpulsedance.eu/wp-content/uploads/2023/03/SIRKA-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230607
DTEND;VALUE=DATE:20230609
DTSTAMP:20261009T233630
CREATED:20230302T152256Z
LAST-MODIFIED:20230515T074129Z
UID:11362-1686096000-1686268799@www.bigpulsedance.eu
SUMMARY:GRAND JETÉ  at TANEC PRAHA 2023
DESCRIPTION:Presented by:\n									When / Where / How long:\n									How much:\n									BOOK TICKETS\n							\n			\n									Presented by:\n					Tanec PRAHA \n									When / Where / How long:\n					28 & 29 May 2022 (Brno)2 June 2022 (Ostrava) 7 June (Pilsen) 11 June (Prague)   Duration varies \n									How much:\n					Free \n									BOOK TICKETS\n					Find out more at tanecpraha.cz.se  \n							\n		\n				\n				\n					\n		\n							\n		\n				\n						\n					\n			\n								\n				\n			\n	\n	ABOUT THE SHOW\n	\n		\n		\n	\n\n\n	\n		Bosque/ Woods is a desire to create roots in the city. The performance pursues the idea of impermanence and instability of the body\, nature\, climate and collective practices. With the collaboration of local participants\, who will stand together upside down\, the body inverts space and questions time. For how long will the body stand in? For how long will the forest stand in? The research goes beyond the idea of creating a landscape in the city\, potentiating collective practices. We need more than to plant some random trees in the corner of the cities\, in the side ways of the cars or where it’s convenient for human beings. The performance inquires about other possible ways for a body to resist\, to persist\, to carry through potentialities against the city concrete\, the lack of nature\, the climate changes\, the missing trees and the forgotten woods. The duration of this collaborative performance will vary according to the ability of each person to endure the head standing. The bodies’ struggle to remain upside down calls attention to the struggle that nature itself faces. Eventually\, and at different times\, each body-tree falls to the ground\, one by one\, where they remain until the last performer falls. The concepts of empathy and solidarity lead the dramaturgy: no one leaves until the last one resists\, we don’t leave anyone behind\, we support each other. Thus\, we call attention to the importance and strength of the collective and the possibility of diversity within it\, in the same way that naturecould resist in its biodiversity. Bosque/ Woods is a piece for contemplation\, where the public can be called to a place\, but also wants to take the audience by surprise\, people who pass by and who risk stopping for a moment and looking at the forest. This work is a proposal to look at these issues in a very poetic\, powerful\, ambitious and collective way. As the brazilian indígena leadership Airton Krenak says “….human beings have forgotten that nature is not separated from us\, nature is something that we are”. Within this Woods we-nature want to resist as long as we can\, together\, as one. 	\n\n\n	ABOUT THE CREATORS\n	\n		\n		\n	\n\n\n	\n		Catarina Saraiva PT\, Clarice Lima BR\, Nina Fajdiga SL and Aline Bonamin BR are female artists fromdifferent countries\, with different backgrounds\, who came together to develop this project. Theirpractices move between performance\, choreography\, dramaturgy and curatorship\, with strong creativeforces and desires.   Clarice Lima (1983\, Fortaleza) is a dancer\, choreographer\, teacher and director. Her trajectory is marked by an intense artistic production\, with national and international visibility. She graduated at Amsterdam School of Arts – MTD Netherlands 2006 and worked with Cristian Duarte/ LOTE BR\, Nina Fajdiga SL\, Jan Fabre/ Troubleyn BE\, among others. With her dance platform FUTURA she develops partnerships and creative strategies\, moving between the languages of dance\, performance and visual arts. She presented her works at the most important Brazilian dance festivals and abroad in Portugal\, Greece\, Spain\, Slovenia\, Belgium\, Chile and Uruguay.   Catarina Saraiva works between the European and South American continents. At the moment she is thecurator of Linha de Fuga PT and Festival Verão Azul PT\, she continues her connection with the South American continent with several projects\, institutions and artists. She was the curator of Movimiento Sur CH and of Panorama Festival BR. She’s interested in the development of critical discourses and the production of knowledge through art and interested in the synergies that can be developed between the two continents.   Nina Fajdiga (1979\, Ljubljana) is a choreographer\, performer and teacher\, graduated at Amsterdam School of Arts – SNDO Netherlands 2007. In 2006 she was awarded a most promising young choreographer byAmsterdam’s ITS festival. Her works have been supported by European Cultural Foundation\, SlovenianMinistry of culture\, produced and co-produced by DWA Amsterdam\, Huis aan de Werf Utrecht\, La CalderaBarcelona\, Tanzhaus Zurich and shown in various international dance festivals. As a performer she has collaborated with David Zambrano\, Pere Faura\, Clarice Lima\, Georg Hobmaier\, Katie Duck\, Matej Kejžar\,Simone Truong\, Matjaž Pograjc\, Sinja Ožbolt\, Mateja Bučar\, Gyula Cserepes\, Vita Osojnik\, among others.   Aline Bonamin (1984\, São Paulo) graduated in dance at Anhembi Morumbi University BR. Since 2013 she has worked in collaboration with Clarice Lima at FUTURA as a performer and choreographer assistant in the works Árvores/ Trees\, Dance Hurts\, Supernada EP01 and Bichos Soltos among others. She works as a performer with Cristian Duarte BR and Uxa Xavier BR. 	\n\n\n	IMAGE GALLERY\n	\n		\n		\n	\n\n\n	\n		\n\n\n\n	\n	\n	\n		\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n		\n	\n\n	\n	\n	\n\n	\n	\n\n\n	CREDITS\n	\n		\n		\n	\n\n\n	\n		Bosque/ Woods was selected by Big Pulse Dance Alliance and co-produced by Dublin Dance Festival (lreland)\, Julidans (Netherlands)\, ONE Dance Week (Bulgaria)\, Tanz im August / HAU Hebbel am Ufer (Germany)\, Dance Umbrella ( GB)\, CODA Oslo International Dance Festival (Norway) and presented by Zodiak – Side Step Festival (Finland)\, New Baltic Dance (Lithuania)\, International Dance Festival TANEC PRAHA (Czech Republic)\, Torinodanza Festival (Italy)\, supported by Europe Creative \, program of the European Union. With the support of the Office International de la Francophonie; the French Institute
URL:https://www.bigpulsedance.eu/event/grand-jete-at-tanec-praha-2023/
CATEGORIES:Scaling Up
ATTACH;FMTTYPE=image/jpeg:https://www.bigpulsedance.eu/wp-content/uploads/2023/01/ph.-Andrea-Macchia-2-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230603
DTEND;VALUE=DATE:20230629
DTSTAMP:20261009T233630
CREATED:20230303T113743Z
LAST-MODIFIED:20230512T101322Z
UID:11417-1685750400-1687996799@www.bigpulsedance.eu
SUMMARY:TANEC PRAHA 2023
DESCRIPTION:Presented by:\n									When / Where / How long:\n									How much:\n									BOOK TICKETS\n							\n			\n									Presented by:\n					Tanec PRAHA \n									When / Where / How long:\n					28 & 29 May 2022 (Brno)2 June 2022 (Ostrava) 7 June (Pilsen) 11 June (Prague)   Duration varies \n									How much:\n					Free \n									BOOK TICKETS\n					Find out more at tanecpraha.cz.se  \n							\n		\n				\n				\n					\n		\n							\n		\n				\n						\n					\n			\n								\n				\n			\n	\n	ABOUT THE SHOW\n	\n		\n		\n	\n\n\n	\n		Bosque/ Woods is a desire to create roots in the city. The performance pursues the idea of impermanence and instability of the body\, nature\, climate and collective practices. With the collaboration of local participants\, who will stand together upside down\, the body inverts space and questions time. For how long will the body stand in? For how long will the forest stand in? The research goes beyond the idea of creating a landscape in the city\, potentiating collective practices. We need more than to plant some random trees in the corner of the cities\, in the side ways of the cars or where it’s convenient for human beings. The performance inquires about other possible ways for a body to resist\, to persist\, to carry through potentialities against the city concrete\, the lack of nature\, the climate changes\, the missing trees and the forgotten woods. The duration of this collaborative performance will vary according to the ability of each person to endure the head standing. The bodies’ struggle to remain upside down calls attention to the struggle that nature itself faces. Eventually\, and at different times\, each body-tree falls to the ground\, one by one\, where they remain until the last performer falls. The concepts of empathy and solidarity lead the dramaturgy: no one leaves until the last one resists\, we don’t leave anyone behind\, we support each other. Thus\, we call attention to the importance and strength of the collective and the possibility of diversity within it\, in the same way that naturecould resist in its biodiversity. Bosque/ Woods is a piece for contemplation\, where the public can be called to a place\, but also wants to take the audience by surprise\, people who pass by and who risk stopping for a moment and looking at the forest. This work is a proposal to look at these issues in a very poetic\, powerful\, ambitious and collective way. As the brazilian indígena leadership Airton Krenak says “….human beings have forgotten that nature is not separated from us\, nature is something that we are”. Within this Woods we-nature want to resist as long as we can\, together\, as one. 	\n\n\n	ABOUT THE CREATORS\n	\n		\n		\n	\n\n\n	\n		Catarina Saraiva PT\, Clarice Lima BR\, Nina Fajdiga SL and Aline Bonamin BR are female artists fromdifferent countries\, with different backgrounds\, who came together to develop this project. Theirpractices move between performance\, choreography\, dramaturgy and curatorship\, with strong creativeforces and desires.   Clarice Lima (1983\, Fortaleza) is a dancer\, choreographer\, teacher and director. Her trajectory is marked by an intense artistic production\, with national and international visibility. She graduated at Amsterdam School of Arts – MTD Netherlands 2006 and worked with Cristian Duarte/ LOTE BR\, Nina Fajdiga SL\, Jan Fabre/ Troubleyn BE\, among others. With her dance platform FUTURA she develops partnerships and creative strategies\, moving between the languages of dance\, performance and visual arts. She presented her works at the most important Brazilian dance festivals and abroad in Portugal\, Greece\, Spain\, Slovenia\, Belgium\, Chile and Uruguay.   Catarina Saraiva works between the European and South American continents. At the moment she is thecurator of Linha de Fuga PT and Festival Verão Azul PT\, she continues her connection with the South American continent with several projects\, institutions and artists. She was the curator of Movimiento Sur CH and of Panorama Festival BR. She’s interested in the development of critical discourses and the production of knowledge through art and interested in the synergies that can be developed between the two continents.   Nina Fajdiga (1979\, Ljubljana) is a choreographer\, performer and teacher\, graduated at Amsterdam School of Arts – SNDO Netherlands 2007. In 2006 she was awarded a most promising young choreographer byAmsterdam’s ITS festival. Her works have been supported by European Cultural Foundation\, SlovenianMinistry of culture\, produced and co-produced by DWA Amsterdam\, Huis aan de Werf Utrecht\, La CalderaBarcelona\, Tanzhaus Zurich and shown in various international dance festivals. As a performer she has collaborated with David Zambrano\, Pere Faura\, Clarice Lima\, Georg Hobmaier\, Katie Duck\, Matej Kejžar\,Simone Truong\, Matjaž Pograjc\, Sinja Ožbolt\, Mateja Bučar\, Gyula Cserepes\, Vita Osojnik\, among others.   Aline Bonamin (1984\, São Paulo) graduated in dance at Anhembi Morumbi University BR. Since 2013 she has worked in collaboration with Clarice Lima at FUTURA as a performer and choreographer assistant in the works Árvores/ Trees\, Dance Hurts\, Supernada EP01 and Bichos Soltos among others. She works as a performer with Cristian Duarte BR and Uxa Xavier BR. 	\n\n\n	IMAGE GALLERY\n	\n		\n		\n	\n\n\n	\n		\n\n\n\n	\n	\n	\n		\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n		\n	\n\n	\n	\n	\n\n	\n	\n\n\n	CREDITS\n	\n		\n		\n	\n\n\n	\n		Bosque/ Woods was selected by Big Pulse Dance Alliance and co-produced by Dublin Dance Festival (lreland)\, Julidans (Netherlands)\, ONE Dance Week (Bulgaria)\, Tanz im August / HAU Hebbel am Ufer (Germany)\, Dance Umbrella ( GB)\, CODA Oslo International Dance Festival (Norway) and presented by Zodiak – Side Step Festival (Finland)\, New Baltic Dance (Lithuania)\, International Dance Festival TANEC PRAHA (Czech Republic)\, Torinodanza Festival (Italy)\, supported by Europe Creative \, program of the European Union. With the support of the Office International de la Francophonie; the French Institute
URL:https://www.bigpulsedance.eu/event/tanec-praha-2023/
CATEGORIES:Festival
ATTACH;FMTTYPE=image/jpeg:https://www.bigpulsedance.eu/wp-content/uploads/2023/03/SIRKA-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230526
DTEND;VALUE=DATE:20230528
DTSTAMP:20261009T233630
CREATED:20230303T145239Z
LAST-MODIFIED:20230303T150320Z
UID:11457-1685059200-1685231999@www.bigpulsedance.eu
SUMMARY:ALIEN at Dublin Dance Festival 2023
DESCRIPTION:Presented by:\n									When / Where / How long:\n									How much:\n									BOOK TICKETS\n							\n			\n									Presented by:\n					Tanec PRAHA \n									When / Where / How long:\n					28 & 29 May 2022 (Brno)2 June 2022 (Ostrava) 7 June (Pilsen) 11 June (Prague)   Duration varies \n									How much:\n					Free \n									BOOK TICKETS\n					Find out more at tanecpraha.cz.se  \n							\n		\n				\n				\n					\n		\n							\n		\n				\n						\n					\n			\n								\n				\n			\n	\n	ABOUT THE SHOW\n	\n		\n		\n	\n\n\n	\n		Bosque/ Woods is a desire to create roots in the city. The performance pursues the idea of impermanence and instability of the body\, nature\, climate and collective practices. With the collaboration of local participants\, who will stand together upside down\, the body inverts space and questions time. For how long will the body stand in? For how long will the forest stand in? The research goes beyond the idea of creating a landscape in the city\, potentiating collective practices. We need more than to plant some random trees in the corner of the cities\, in the side ways of the cars or where it’s convenient for human beings. The performance inquires about other possible ways for a body to resist\, to persist\, to carry through potentialities against the city concrete\, the lack of nature\, the climate changes\, the missing trees and the forgotten woods. The duration of this collaborative performance will vary according to the ability of each person to endure the head standing. The bodies’ struggle to remain upside down calls attention to the struggle that nature itself faces. Eventually\, and at different times\, each body-tree falls to the ground\, one by one\, where they remain until the last performer falls. The concepts of empathy and solidarity lead the dramaturgy: no one leaves until the last one resists\, we don’t leave anyone behind\, we support each other. Thus\, we call attention to the importance and strength of the collective and the possibility of diversity within it\, in the same way that naturecould resist in its biodiversity. Bosque/ Woods is a piece for contemplation\, where the public can be called to a place\, but also wants to take the audience by surprise\, people who pass by and who risk stopping for a moment and looking at the forest. This work is a proposal to look at these issues in a very poetic\, powerful\, ambitious and collective way. As the brazilian indígena leadership Airton Krenak says “….human beings have forgotten that nature is not separated from us\, nature is something that we are”. Within this Woods we-nature want to resist as long as we can\, together\, as one. 	\n\n\n	ABOUT THE CREATORS\n	\n		\n		\n	\n\n\n	\n		Catarina Saraiva PT\, Clarice Lima BR\, Nina Fajdiga SL and Aline Bonamin BR are female artists fromdifferent countries\, with different backgrounds\, who came together to develop this project. Theirpractices move between performance\, choreography\, dramaturgy and curatorship\, with strong creativeforces and desires.   Clarice Lima (1983\, Fortaleza) is a dancer\, choreographer\, teacher and director. Her trajectory is marked by an intense artistic production\, with national and international visibility. She graduated at Amsterdam School of Arts – MTD Netherlands 2006 and worked with Cristian Duarte/ LOTE BR\, Nina Fajdiga SL\, Jan Fabre/ Troubleyn BE\, among others. With her dance platform FUTURA she develops partnerships and creative strategies\, moving between the languages of dance\, performance and visual arts. She presented her works at the most important Brazilian dance festivals and abroad in Portugal\, Greece\, Spain\, Slovenia\, Belgium\, Chile and Uruguay.   Catarina Saraiva works between the European and South American continents. At the moment she is thecurator of Linha de Fuga PT and Festival Verão Azul PT\, she continues her connection with the South American continent with several projects\, institutions and artists. She was the curator of Movimiento Sur CH and of Panorama Festival BR. She’s interested in the development of critical discourses and the production of knowledge through art and interested in the synergies that can be developed between the two continents.   Nina Fajdiga (1979\, Ljubljana) is a choreographer\, performer and teacher\, graduated at Amsterdam School of Arts – SNDO Netherlands 2007. In 2006 she was awarded a most promising young choreographer byAmsterdam’s ITS festival. Her works have been supported by European Cultural Foundation\, SlovenianMinistry of culture\, produced and co-produced by DWA Amsterdam\, Huis aan de Werf Utrecht\, La CalderaBarcelona\, Tanzhaus Zurich and shown in various international dance festivals. As a performer she has collaborated with David Zambrano\, Pere Faura\, Clarice Lima\, Georg Hobmaier\, Katie Duck\, Matej Kejžar\,Simone Truong\, Matjaž Pograjc\, Sinja Ožbolt\, Mateja Bučar\, Gyula Cserepes\, Vita Osojnik\, among others.   Aline Bonamin (1984\, São Paulo) graduated in dance at Anhembi Morumbi University BR. Since 2013 she has worked in collaboration with Clarice Lima at FUTURA as a performer and choreographer assistant in the works Árvores/ Trees\, Dance Hurts\, Supernada EP01 and Bichos Soltos among others. She works as a performer with Cristian Duarte BR and Uxa Xavier BR. 	\n\n\n	IMAGE GALLERY\n	\n		\n		\n	\n\n\n	\n		\n\n\n\n	\n	\n	\n		\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n		\n	\n\n	\n	\n	\n\n	\n	\n\n\n	CREDITS\n	\n		\n		\n	\n\n\n	\n		Bosque/ Woods was selected by Big Pulse Dance Alliance and co-produced by Dublin Dance Festival (lreland)\, Julidans (Netherlands)\, ONE Dance Week (Bulgaria)\, Tanz im August / HAU Hebbel am Ufer (Germany)\, Dance Umbrella ( GB)\, CODA Oslo International Dance Festival (Norway) and presented by Zodiak – Side Step Festival (Finland)\, New Baltic Dance (Lithuania)\, International Dance Festival TANEC PRAHA (Czech Republic)\, Torinodanza Festival (Italy)\, supported by Europe Creative \, program of the European Union. With the support of the Office International de la Francophonie; the French Institute
URL:https://www.bigpulsedance.eu/event/alien-at-dublin-dance-festival-2023/
CATEGORIES:Open Air
ATTACH;FMTTYPE=image/jpeg:https://www.bigpulsedance.eu/wp-content/uploads/2022/11/ALIEN-by-Taneli-Törmä-LOCATION-X-–-Photo-©-AdeY-03-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230523
DTEND;VALUE=DATE:20230524
DTSTAMP:20261009T233630
CREATED:20230303T122029Z
LAST-MODIFIED:20230303T122159Z
UID:11430-1684800000-1684886399@www.bigpulsedance.eu
SUMMARY:City Horses | Conference "Caring and Daring – Public art building common ground?" (Lund\, Sweden)
DESCRIPTION:Presented by:\n									When / Where / How long:\n									How much:\n									BOOK TICKETS\n							\n			\n									Presented by:\n					Tanec PRAHA \n									When / Where / How long:\n					28 & 29 May 2022 (Brno)2 June 2022 (Ostrava) 7 June (Pilsen) 11 June (Prague)   Duration varies \n									How much:\n					Free \n									BOOK TICKETS\n					Find out more at tanecpraha.cz.se  \n							\n		\n				\n				\n					\n		\n							\n		\n				\n						\n					\n			\n								\n				\n			\n	\n	ABOUT THE SHOW\n	\n		\n		\n	\n\n\n	\n		Bosque/ Woods is a desire to create roots in the city. The performance pursues the idea of impermanence and instability of the body\, nature\, climate and collective practices. With the collaboration of local participants\, who will stand together upside down\, the body inverts space and questions time. For how long will the body stand in? For how long will the forest stand in? The research goes beyond the idea of creating a landscape in the city\, potentiating collective practices. We need more than to plant some random trees in the corner of the cities\, in the side ways of the cars or where it’s convenient for human beings. The performance inquires about other possible ways for a body to resist\, to persist\, to carry through potentialities against the city concrete\, the lack of nature\, the climate changes\, the missing trees and the forgotten woods. The duration of this collaborative performance will vary according to the ability of each person to endure the head standing. The bodies’ struggle to remain upside down calls attention to the struggle that nature itself faces. Eventually\, and at different times\, each body-tree falls to the ground\, one by one\, where they remain until the last performer falls. The concepts of empathy and solidarity lead the dramaturgy: no one leaves until the last one resists\, we don’t leave anyone behind\, we support each other. Thus\, we call attention to the importance and strength of the collective and the possibility of diversity within it\, in the same way that naturecould resist in its biodiversity. Bosque/ Woods is a piece for contemplation\, where the public can be called to a place\, but also wants to take the audience by surprise\, people who pass by and who risk stopping for a moment and looking at the forest. This work is a proposal to look at these issues in a very poetic\, powerful\, ambitious and collective way. As the brazilian indígena leadership Airton Krenak says “….human beings have forgotten that nature is not separated from us\, nature is something that we are”. Within this Woods we-nature want to resist as long as we can\, together\, as one. 	\n\n\n	ABOUT THE CREATORS\n	\n		\n		\n	\n\n\n	\n		Catarina Saraiva PT\, Clarice Lima BR\, Nina Fajdiga SL and Aline Bonamin BR are female artists fromdifferent countries\, with different backgrounds\, who came together to develop this project. Theirpractices move between performance\, choreography\, dramaturgy and curatorship\, with strong creativeforces and desires.   Clarice Lima (1983\, Fortaleza) is a dancer\, choreographer\, teacher and director. Her trajectory is marked by an intense artistic production\, with national and international visibility. She graduated at Amsterdam School of Arts – MTD Netherlands 2006 and worked with Cristian Duarte/ LOTE BR\, Nina Fajdiga SL\, Jan Fabre/ Troubleyn BE\, among others. With her dance platform FUTURA she develops partnerships and creative strategies\, moving between the languages of dance\, performance and visual arts. She presented her works at the most important Brazilian dance festivals and abroad in Portugal\, Greece\, Spain\, Slovenia\, Belgium\, Chile and Uruguay.   Catarina Saraiva works between the European and South American continents. At the moment she is thecurator of Linha de Fuga PT and Festival Verão Azul PT\, she continues her connection with the South American continent with several projects\, institutions and artists. She was the curator of Movimiento Sur CH and of Panorama Festival BR. She’s interested in the development of critical discourses and the production of knowledge through art and interested in the synergies that can be developed between the two continents.   Nina Fajdiga (1979\, Ljubljana) is a choreographer\, performer and teacher\, graduated at Amsterdam School of Arts – SNDO Netherlands 2007. In 2006 she was awarded a most promising young choreographer byAmsterdam’s ITS festival. Her works have been supported by European Cultural Foundation\, SlovenianMinistry of culture\, produced and co-produced by DWA Amsterdam\, Huis aan de Werf Utrecht\, La CalderaBarcelona\, Tanzhaus Zurich and shown in various international dance festivals. As a performer she has collaborated with David Zambrano\, Pere Faura\, Clarice Lima\, Georg Hobmaier\, Katie Duck\, Matej Kejžar\,Simone Truong\, Matjaž Pograjc\, Sinja Ožbolt\, Mateja Bučar\, Gyula Cserepes\, Vita Osojnik\, among others.   Aline Bonamin (1984\, São Paulo) graduated in dance at Anhembi Morumbi University BR. Since 2013 she has worked in collaboration with Clarice Lima at FUTURA as a performer and choreographer assistant in the works Árvores/ Trees\, Dance Hurts\, Supernada EP01 and Bichos Soltos among others. She works as a performer with Cristian Duarte BR and Uxa Xavier BR. 	\n\n\n	IMAGE GALLERY\n	\n		\n		\n	\n\n\n	\n		\n\n\n\n	\n	\n	\n		\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n		\n	\n\n	\n	\n	\n\n	\n	\n\n\n	CREDITS\n	\n		\n		\n	\n\n\n	\n		Bosque/ Woods was selected by Big Pulse Dance Alliance and co-produced by Dublin Dance Festival (lreland)\, Julidans (Netherlands)\, ONE Dance Week (Bulgaria)\, Tanz im August / HAU Hebbel am Ufer (Germany)\, Dance Umbrella ( GB)\, CODA Oslo International Dance Festival (Norway) and presented by Zodiak – Side Step Festival (Finland)\, New Baltic Dance (Lithuania)\, International Dance Festival TANEC PRAHA (Czech Republic)\, Torinodanza Festival (Italy)\, supported by Europe Creative \, program of the European Union. With the support of the Office International de la Francophonie; the French Institute
URL:https://www.bigpulsedance.eu/event/city-horses-conference-caring-and-daring-public-art-building-common-ground-lund-sweden/
CATEGORIES:Open Air
ATTACH;FMTTYPE=image/png:https://www.bigpulsedance.eu/wp-content/uploads/2022/06/City-Horses.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230523
DTEND;VALUE=DATE:20230525
DTSTAMP:20261009T233630
CREATED:20230124T200124Z
LAST-MODIFIED:20230302T162554Z
UID:11238-1684800000-1684972799@www.bigpulsedance.eu
SUMMARY:NAVY BLUE at Dublin Dance Festival 2023
DESCRIPTION:Presented by:\n									When / Where / How long:\n									How much:\n									BOOK TICKETS\n							\n			\n									Presented by:\n					Tanec PRAHA \n									When / Where / How long:\n					28 & 29 May 2022 (Brno)2 June 2022 (Ostrava) 7 June (Pilsen) 11 June (Prague)   Duration varies \n									How much:\n					Free \n									BOOK TICKETS\n					Find out more at tanecpraha.cz.se  \n							\n		\n				\n				\n					\n		\n							\n		\n				\n						\n					\n			\n								\n				\n			\n	\n	ABOUT THE SHOW\n	\n		\n		\n	\n\n\n	\n		Bosque/ Woods is a desire to create roots in the city. The performance pursues the idea of impermanence and instability of the body\, nature\, climate and collective practices. With the collaboration of local participants\, who will stand together upside down\, the body inverts space and questions time. For how long will the body stand in? For how long will the forest stand in? The research goes beyond the idea of creating a landscape in the city\, potentiating collective practices. We need more than to plant some random trees in the corner of the cities\, in the side ways of the cars or where it’s convenient for human beings. The performance inquires about other possible ways for a body to resist\, to persist\, to carry through potentialities against the city concrete\, the lack of nature\, the climate changes\, the missing trees and the forgotten woods. The duration of this collaborative performance will vary according to the ability of each person to endure the head standing. The bodies’ struggle to remain upside down calls attention to the struggle that nature itself faces. Eventually\, and at different times\, each body-tree falls to the ground\, one by one\, where they remain until the last performer falls. The concepts of empathy and solidarity lead the dramaturgy: no one leaves until the last one resists\, we don’t leave anyone behind\, we support each other. Thus\, we call attention to the importance and strength of the collective and the possibility of diversity within it\, in the same way that naturecould resist in its biodiversity. Bosque/ Woods is a piece for contemplation\, where the public can be called to a place\, but also wants to take the audience by surprise\, people who pass by and who risk stopping for a moment and looking at the forest. This work is a proposal to look at these issues in a very poetic\, powerful\, ambitious and collective way. As the brazilian indígena leadership Airton Krenak says “….human beings have forgotten that nature is not separated from us\, nature is something that we are”. Within this Woods we-nature want to resist as long as we can\, together\, as one. 	\n\n\n	ABOUT THE CREATORS\n	\n		\n		\n	\n\n\n	\n		Catarina Saraiva PT\, Clarice Lima BR\, Nina Fajdiga SL and Aline Bonamin BR are female artists fromdifferent countries\, with different backgrounds\, who came together to develop this project. Theirpractices move between performance\, choreography\, dramaturgy and curatorship\, with strong creativeforces and desires.   Clarice Lima (1983\, Fortaleza) is a dancer\, choreographer\, teacher and director. Her trajectory is marked by an intense artistic production\, with national and international visibility. She graduated at Amsterdam School of Arts – MTD Netherlands 2006 and worked with Cristian Duarte/ LOTE BR\, Nina Fajdiga SL\, Jan Fabre/ Troubleyn BE\, among others. With her dance platform FUTURA she develops partnerships and creative strategies\, moving between the languages of dance\, performance and visual arts. She presented her works at the most important Brazilian dance festivals and abroad in Portugal\, Greece\, Spain\, Slovenia\, Belgium\, Chile and Uruguay.   Catarina Saraiva works between the European and South American continents. At the moment she is thecurator of Linha de Fuga PT and Festival Verão Azul PT\, she continues her connection with the South American continent with several projects\, institutions and artists. She was the curator of Movimiento Sur CH and of Panorama Festival BR. She’s interested in the development of critical discourses and the production of knowledge through art and interested in the synergies that can be developed between the two continents.   Nina Fajdiga (1979\, Ljubljana) is a choreographer\, performer and teacher\, graduated at Amsterdam School of Arts – SNDO Netherlands 2007. In 2006 she was awarded a most promising young choreographer byAmsterdam’s ITS festival. Her works have been supported by European Cultural Foundation\, SlovenianMinistry of culture\, produced and co-produced by DWA Amsterdam\, Huis aan de Werf Utrecht\, La CalderaBarcelona\, Tanzhaus Zurich and shown in various international dance festivals. As a performer she has collaborated with David Zambrano\, Pere Faura\, Clarice Lima\, Georg Hobmaier\, Katie Duck\, Matej Kejžar\,Simone Truong\, Matjaž Pograjc\, Sinja Ožbolt\, Mateja Bučar\, Gyula Cserepes\, Vita Osojnik\, among others.   Aline Bonamin (1984\, São Paulo) graduated in dance at Anhembi Morumbi University BR. Since 2013 she has worked in collaboration with Clarice Lima at FUTURA as a performer and choreographer assistant in the works Árvores/ Trees\, Dance Hurts\, Supernada EP01 and Bichos Soltos among others. She works as a performer with Cristian Duarte BR and Uxa Xavier BR. 	\n\n\n	IMAGE GALLERY\n	\n		\n		\n	\n\n\n	\n		\n\n\n\n	\n	\n	\n		\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n		\n	\n\n	\n	\n	\n\n	\n	\n\n\n	CREDITS\n	\n		\n		\n	\n\n\n	\n		Bosque/ Woods was selected by Big Pulse Dance Alliance and co-produced by Dublin Dance Festival (lreland)\, Julidans (Netherlands)\, ONE Dance Week (Bulgaria)\, Tanz im August / HAU Hebbel am Ufer (Germany)\, Dance Umbrella ( GB)\, CODA Oslo International Dance Festival (Norway) and presented by Zodiak – Side Step Festival (Finland)\, New Baltic Dance (Lithuania)\, International Dance Festival TANEC PRAHA (Czech Republic)\, Torinodanza Festival (Italy)\, supported by Europe Creative \, program of the European Union. With the support of the Office International de la Francophonie; the French Institute
URL:https://www.bigpulsedance.eu/event/navy-blue-at-dublin-dance-festival-2023/
CATEGORIES:Scaling Up
ATTACH;FMTTYPE=image/png:https://www.bigpulsedance.eu/wp-content/uploads/2022/06/Navy-Blue_by-Oona-Doherty-©-Ghislain-Mirat.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230519
DTEND;VALUE=DATE:20230627
DTSTAMP:20261009T233630
CREATED:20230303T113341Z
LAST-MODIFIED:20230407T073250Z
UID:11412-1684454400-1687823999@www.bigpulsedance.eu
SUMMARY:ONE DANCE WEEK 2023
DESCRIPTION:Presented by:\n									When / Where / How long:\n									How much:\n									BOOK TICKETS\n							\n			\n									Presented by:\n					Tanec PRAHA \n									When / Where / How long:\n					28 & 29 May 2022 (Brno)2 June 2022 (Ostrava) 7 June (Pilsen) 11 June (Prague)   Duration varies \n									How much:\n					Free \n									BOOK TICKETS\n					Find out more at tanecpraha.cz.se  \n							\n		\n				\n				\n					\n		\n							\n		\n				\n						\n					\n			\n								\n				\n			\n	\n	ABOUT THE SHOW\n	\n		\n		\n	\n\n\n	\n		Bosque/ Woods is a desire to create roots in the city. The performance pursues the idea of impermanence and instability of the body\, nature\, climate and collective practices. With the collaboration of local participants\, who will stand together upside down\, the body inverts space and questions time. For how long will the body stand in? For how long will the forest stand in? The research goes beyond the idea of creating a landscape in the city\, potentiating collective practices. We need more than to plant some random trees in the corner of the cities\, in the side ways of the cars or where it’s convenient for human beings. The performance inquires about other possible ways for a body to resist\, to persist\, to carry through potentialities against the city concrete\, the lack of nature\, the climate changes\, the missing trees and the forgotten woods. The duration of this collaborative performance will vary according to the ability of each person to endure the head standing. The bodies’ struggle to remain upside down calls attention to the struggle that nature itself faces. Eventually\, and at different times\, each body-tree falls to the ground\, one by one\, where they remain until the last performer falls. The concepts of empathy and solidarity lead the dramaturgy: no one leaves until the last one resists\, we don’t leave anyone behind\, we support each other. Thus\, we call attention to the importance and strength of the collective and the possibility of diversity within it\, in the same way that naturecould resist in its biodiversity. Bosque/ Woods is a piece for contemplation\, where the public can be called to a place\, but also wants to take the audience by surprise\, people who pass by and who risk stopping for a moment and looking at the forest. This work is a proposal to look at these issues in a very poetic\, powerful\, ambitious and collective way. As the brazilian indígena leadership Airton Krenak says “….human beings have forgotten that nature is not separated from us\, nature is something that we are”. Within this Woods we-nature want to resist as long as we can\, together\, as one. 	\n\n\n	ABOUT THE CREATORS\n	\n		\n		\n	\n\n\n	\n		Catarina Saraiva PT\, Clarice Lima BR\, Nina Fajdiga SL and Aline Bonamin BR are female artists fromdifferent countries\, with different backgrounds\, who came together to develop this project. Theirpractices move between performance\, choreography\, dramaturgy and curatorship\, with strong creativeforces and desires.   Clarice Lima (1983\, Fortaleza) is a dancer\, choreographer\, teacher and director. Her trajectory is marked by an intense artistic production\, with national and international visibility. She graduated at Amsterdam School of Arts – MTD Netherlands 2006 and worked with Cristian Duarte/ LOTE BR\, Nina Fajdiga SL\, Jan Fabre/ Troubleyn BE\, among others. With her dance platform FUTURA she develops partnerships and creative strategies\, moving between the languages of dance\, performance and visual arts. She presented her works at the most important Brazilian dance festivals and abroad in Portugal\, Greece\, Spain\, Slovenia\, Belgium\, Chile and Uruguay.   Catarina Saraiva works between the European and South American continents. At the moment she is thecurator of Linha de Fuga PT and Festival Verão Azul PT\, she continues her connection with the South American continent with several projects\, institutions and artists. She was the curator of Movimiento Sur CH and of Panorama Festival BR. She’s interested in the development of critical discourses and the production of knowledge through art and interested in the synergies that can be developed between the two continents.   Nina Fajdiga (1979\, Ljubljana) is a choreographer\, performer and teacher\, graduated at Amsterdam School of Arts – SNDO Netherlands 2007. In 2006 she was awarded a most promising young choreographer byAmsterdam’s ITS festival. Her works have been supported by European Cultural Foundation\, SlovenianMinistry of culture\, produced and co-produced by DWA Amsterdam\, Huis aan de Werf Utrecht\, La CalderaBarcelona\, Tanzhaus Zurich and shown in various international dance festivals. As a performer she has collaborated with David Zambrano\, Pere Faura\, Clarice Lima\, Georg Hobmaier\, Katie Duck\, Matej Kejžar\,Simone Truong\, Matjaž Pograjc\, Sinja Ožbolt\, Mateja Bučar\, Gyula Cserepes\, Vita Osojnik\, among others.   Aline Bonamin (1984\, São Paulo) graduated in dance at Anhembi Morumbi University BR. Since 2013 she has worked in collaboration with Clarice Lima at FUTURA as a performer and choreographer assistant in the works Árvores/ Trees\, Dance Hurts\, Supernada EP01 and Bichos Soltos among others. She works as a performer with Cristian Duarte BR and Uxa Xavier BR. 	\n\n\n	IMAGE GALLERY\n	\n		\n		\n	\n\n\n	\n		\n\n\n\n	\n	\n	\n		\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n		\n	\n\n	\n	\n	\n\n	\n	\n\n\n	CREDITS\n	\n		\n		\n	\n\n\n	\n		Bosque/ Woods was selected by Big Pulse Dance Alliance and co-produced by Dublin Dance Festival (lreland)\, Julidans (Netherlands)\, ONE Dance Week (Bulgaria)\, Tanz im August / HAU Hebbel am Ufer (Germany)\, Dance Umbrella ( GB)\, CODA Oslo International Dance Festival (Norway) and presented by Zodiak – Side Step Festival (Finland)\, New Baltic Dance (Lithuania)\, International Dance Festival TANEC PRAHA (Czech Republic)\, Torinodanza Festival (Italy)\, supported by Europe Creative \, program of the European Union. With the support of the Office International de la Francophonie; the French Institute
URL:https://www.bigpulsedance.eu/event/one-dance-week-2023/
CATEGORIES:Festival
ATTACH;FMTTYPE=image/jpeg:https://www.bigpulsedance.eu/wp-content/uploads/2023/03/image0.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230519
DTEND;VALUE=DATE:20230520
DTSTAMP:20261009T233630
CREATED:20230124T195831Z
LAST-MODIFIED:20230302T122814Z
UID:11233-1684454400-1684540799@www.bigpulsedance.eu
SUMMARY:NAVY BLUE at One Dance Week 2023
DESCRIPTION:Presented by:\n									When / Where / How long:\n									How much:\n									BOOK TICKETS\n							\n			\n									Presented by:\n					Tanec PRAHA \n									When / Where / How long:\n					28 & 29 May 2022 (Brno)2 June 2022 (Ostrava) 7 June (Pilsen) 11 June (Prague)   Duration varies \n									How much:\n					Free \n									BOOK TICKETS\n					Find out more at tanecpraha.cz.se  \n							\n		\n				\n				\n					\n		\n							\n		\n				\n						\n					\n			\n								\n				\n			\n	\n	ABOUT THE SHOW\n	\n		\n		\n	\n\n\n	\n		Bosque/ Woods is a desire to create roots in the city. The performance pursues the idea of impermanence and instability of the body\, nature\, climate and collective practices. With the collaboration of local participants\, who will stand together upside down\, the body inverts space and questions time. For how long will the body stand in? For how long will the forest stand in? The research goes beyond the idea of creating a landscape in the city\, potentiating collective practices. We need more than to plant some random trees in the corner of the cities\, in the side ways of the cars or where it’s convenient for human beings. The performance inquires about other possible ways for a body to resist\, to persist\, to carry through potentialities against the city concrete\, the lack of nature\, the climate changes\, the missing trees and the forgotten woods. The duration of this collaborative performance will vary according to the ability of each person to endure the head standing. The bodies’ struggle to remain upside down calls attention to the struggle that nature itself faces. Eventually\, and at different times\, each body-tree falls to the ground\, one by one\, where they remain until the last performer falls. The concepts of empathy and solidarity lead the dramaturgy: no one leaves until the last one resists\, we don’t leave anyone behind\, we support each other. Thus\, we call attention to the importance and strength of the collective and the possibility of diversity within it\, in the same way that naturecould resist in its biodiversity. Bosque/ Woods is a piece for contemplation\, where the public can be called to a place\, but also wants to take the audience by surprise\, people who pass by and who risk stopping for a moment and looking at the forest. This work is a proposal to look at these issues in a very poetic\, powerful\, ambitious and collective way. As the brazilian indígena leadership Airton Krenak says “….human beings have forgotten that nature is not separated from us\, nature is something that we are”. Within this Woods we-nature want to resist as long as we can\, together\, as one. 	\n\n\n	ABOUT THE CREATORS\n	\n		\n		\n	\n\n\n	\n		Catarina Saraiva PT\, Clarice Lima BR\, Nina Fajdiga SL and Aline Bonamin BR are female artists fromdifferent countries\, with different backgrounds\, who came together to develop this project. Theirpractices move between performance\, choreography\, dramaturgy and curatorship\, with strong creativeforces and desires.   Clarice Lima (1983\, Fortaleza) is a dancer\, choreographer\, teacher and director. Her trajectory is marked by an intense artistic production\, with national and international visibility. She graduated at Amsterdam School of Arts – MTD Netherlands 2006 and worked with Cristian Duarte/ LOTE BR\, Nina Fajdiga SL\, Jan Fabre/ Troubleyn BE\, among others. With her dance platform FUTURA she develops partnerships and creative strategies\, moving between the languages of dance\, performance and visual arts. She presented her works at the most important Brazilian dance festivals and abroad in Portugal\, Greece\, Spain\, Slovenia\, Belgium\, Chile and Uruguay.   Catarina Saraiva works between the European and South American continents. At the moment she is thecurator of Linha de Fuga PT and Festival Verão Azul PT\, she continues her connection with the South American continent with several projects\, institutions and artists. She was the curator of Movimiento Sur CH and of Panorama Festival BR. She’s interested in the development of critical discourses and the production of knowledge through art and interested in the synergies that can be developed between the two continents.   Nina Fajdiga (1979\, Ljubljana) is a choreographer\, performer and teacher\, graduated at Amsterdam School of Arts – SNDO Netherlands 2007. In 2006 she was awarded a most promising young choreographer byAmsterdam’s ITS festival. Her works have been supported by European Cultural Foundation\, SlovenianMinistry of culture\, produced and co-produced by DWA Amsterdam\, Huis aan de Werf Utrecht\, La CalderaBarcelona\, Tanzhaus Zurich and shown in various international dance festivals. As a performer she has collaborated with David Zambrano\, Pere Faura\, Clarice Lima\, Georg Hobmaier\, Katie Duck\, Matej Kejžar\,Simone Truong\, Matjaž Pograjc\, Sinja Ožbolt\, Mateja Bučar\, Gyula Cserepes\, Vita Osojnik\, among others.   Aline Bonamin (1984\, São Paulo) graduated in dance at Anhembi Morumbi University BR. Since 2013 she has worked in collaboration with Clarice Lima at FUTURA as a performer and choreographer assistant in the works Árvores/ Trees\, Dance Hurts\, Supernada EP01 and Bichos Soltos among others. She works as a performer with Cristian Duarte BR and Uxa Xavier BR. 	\n\n\n	IMAGE GALLERY\n	\n		\n		\n	\n\n\n	\n		\n\n\n\n	\n	\n	\n		\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n		\n	\n\n	\n	\n	\n\n	\n	\n\n\n	CREDITS\n	\n		\n		\n	\n\n\n	\n		Bosque/ Woods was selected by Big Pulse Dance Alliance and co-produced by Dublin Dance Festival (lreland)\, Julidans (Netherlands)\, ONE Dance Week (Bulgaria)\, Tanz im August / HAU Hebbel am Ufer (Germany)\, Dance Umbrella ( GB)\, CODA Oslo International Dance Festival (Norway) and presented by Zodiak – Side Step Festival (Finland)\, New Baltic Dance (Lithuania)\, International Dance Festival TANEC PRAHA (Czech Republic)\, Torinodanza Festival (Italy)\, supported by Europe Creative \, program of the European Union. With the support of the Office International de la Francophonie; the French Institute
URL:https://www.bigpulsedance.eu/event/navy-blue-at-one-dance-week-2023/
CATEGORIES:Scaling Up
ATTACH;FMTTYPE=image/png:https://www.bigpulsedance.eu/wp-content/uploads/2022/06/Navy-Blue_by-Oona-Doherty-©-Ghislain-Mirat.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230516
DTEND;VALUE=DATE:20230529
DTSTAMP:20261009T233630
CREATED:20230328T081746Z
LAST-MODIFIED:20230328T082011Z
UID:11607-1684195200-1685318399@www.bigpulsedance.eu
SUMMARY:Dublin Dance Festival 2023
DESCRIPTION:Presented by:\n									When / Where / How long:\n									How much:\n									BOOK TICKETS\n							\n			\n									Presented by:\n					Tanec PRAHA \n									When / Where / How long:\n					28 & 29 May 2022 (Brno)2 June 2022 (Ostrava) 7 June (Pilsen) 11 June (Prague)   Duration varies \n									How much:\n					Free \n									BOOK TICKETS\n					Find out more at tanecpraha.cz.se  \n							\n		\n				\n				\n					\n		\n							\n		\n				\n						\n					\n			\n								\n				\n			\n	\n	ABOUT THE SHOW\n	\n		\n		\n	\n\n\n	\n		Bosque/ Woods is a desire to create roots in the city. The performance pursues the idea of impermanence and instability of the body\, nature\, climate and collective practices. With the collaboration of local participants\, who will stand together upside down\, the body inverts space and questions time. For how long will the body stand in? For how long will the forest stand in? The research goes beyond the idea of creating a landscape in the city\, potentiating collective practices. We need more than to plant some random trees in the corner of the cities\, in the side ways of the cars or where it’s convenient for human beings. The performance inquires about other possible ways for a body to resist\, to persist\, to carry through potentialities against the city concrete\, the lack of nature\, the climate changes\, the missing trees and the forgotten woods. The duration of this collaborative performance will vary according to the ability of each person to endure the head standing. The bodies’ struggle to remain upside down calls attention to the struggle that nature itself faces. Eventually\, and at different times\, each body-tree falls to the ground\, one by one\, where they remain until the last performer falls. The concepts of empathy and solidarity lead the dramaturgy: no one leaves until the last one resists\, we don’t leave anyone behind\, we support each other. Thus\, we call attention to the importance and strength of the collective and the possibility of diversity within it\, in the same way that naturecould resist in its biodiversity. Bosque/ Woods is a piece for contemplation\, where the public can be called to a place\, but also wants to take the audience by surprise\, people who pass by and who risk stopping for a moment and looking at the forest. This work is a proposal to look at these issues in a very poetic\, powerful\, ambitious and collective way. As the brazilian indígena leadership Airton Krenak says “….human beings have forgotten that nature is not separated from us\, nature is something that we are”. Within this Woods we-nature want to resist as long as we can\, together\, as one. 	\n\n\n	ABOUT THE CREATORS\n	\n		\n		\n	\n\n\n	\n		Catarina Saraiva PT\, Clarice Lima BR\, Nina Fajdiga SL and Aline Bonamin BR are female artists fromdifferent countries\, with different backgrounds\, who came together to develop this project. Theirpractices move between performance\, choreography\, dramaturgy and curatorship\, with strong creativeforces and desires.   Clarice Lima (1983\, Fortaleza) is a dancer\, choreographer\, teacher and director. Her trajectory is marked by an intense artistic production\, with national and international visibility. She graduated at Amsterdam School of Arts – MTD Netherlands 2006 and worked with Cristian Duarte/ LOTE BR\, Nina Fajdiga SL\, Jan Fabre/ Troubleyn BE\, among others. With her dance platform FUTURA she develops partnerships and creative strategies\, moving between the languages of dance\, performance and visual arts. She presented her works at the most important Brazilian dance festivals and abroad in Portugal\, Greece\, Spain\, Slovenia\, Belgium\, Chile and Uruguay.   Catarina Saraiva works between the European and South American continents. At the moment she is thecurator of Linha de Fuga PT and Festival Verão Azul PT\, she continues her connection with the South American continent with several projects\, institutions and artists. She was the curator of Movimiento Sur CH and of Panorama Festival BR. She’s interested in the development of critical discourses and the production of knowledge through art and interested in the synergies that can be developed between the two continents.   Nina Fajdiga (1979\, Ljubljana) is a choreographer\, performer and teacher\, graduated at Amsterdam School of Arts – SNDO Netherlands 2007. In 2006 she was awarded a most promising young choreographer byAmsterdam’s ITS festival. Her works have been supported by European Cultural Foundation\, SlovenianMinistry of culture\, produced and co-produced by DWA Amsterdam\, Huis aan de Werf Utrecht\, La CalderaBarcelona\, Tanzhaus Zurich and shown in various international dance festivals. As a performer she has collaborated with David Zambrano\, Pere Faura\, Clarice Lima\, Georg Hobmaier\, Katie Duck\, Matej Kejžar\,Simone Truong\, Matjaž Pograjc\, Sinja Ožbolt\, Mateja Bučar\, Gyula Cserepes\, Vita Osojnik\, among others.   Aline Bonamin (1984\, São Paulo) graduated in dance at Anhembi Morumbi University BR. Since 2013 she has worked in collaboration with Clarice Lima at FUTURA as a performer and choreographer assistant in the works Árvores/ Trees\, Dance Hurts\, Supernada EP01 and Bichos Soltos among others. She works as a performer with Cristian Duarte BR and Uxa Xavier BR. 	\n\n\n	IMAGE GALLERY\n	\n		\n		\n	\n\n\n	\n		\n\n\n\n	\n	\n	\n		\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n		\n	\n\n	\n	\n	\n\n	\n	\n\n\n	CREDITS\n	\n		\n		\n	\n\n\n	\n		Bosque/ Woods was selected by Big Pulse Dance Alliance and co-produced by Dublin Dance Festival (lreland)\, Julidans (Netherlands)\, ONE Dance Week (Bulgaria)\, Tanz im August / HAU Hebbel am Ufer (Germany)\, Dance Umbrella ( GB)\, CODA Oslo International Dance Festival (Norway) and presented by Zodiak – Side Step Festival (Finland)\, New Baltic Dance (Lithuania)\, International Dance Festival TANEC PRAHA (Czech Republic)\, Torinodanza Festival (Italy)\, supported by Europe Creative \, program of the European Union. With the support of the Office International de la Francophonie; the French Institute
URL:https://www.bigpulsedance.eu/event/dublin-dance-festival-2023/
CATEGORIES:Festival
ATTACH;FMTTYPE=image/jpeg:https://www.bigpulsedance.eu/wp-content/uploads/2023/03/Dublin-Dance-2023.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230514
DTEND;VALUE=DATE:20230515
DTSTAMP:20261009T233630
CREATED:20230124T195457Z
LAST-MODIFIED:20230302T122620Z
UID:11228-1684022400-1684108799@www.bigpulsedance.eu
SUMMARY:NAVY BLUE at New Baltic Dance 2023
DESCRIPTION:Presented by:\n									When / Where / How long:\n									How much:\n									BOOK TICKETS\n							\n			\n									Presented by:\n					Tanec PRAHA \n									When / Where / How long:\n					28 & 29 May 2022 (Brno)2 June 2022 (Ostrava) 7 June (Pilsen) 11 June (Prague)   Duration varies \n									How much:\n					Free \n									BOOK TICKETS\n					Find out more at tanecpraha.cz.se  \n							\n		\n				\n				\n					\n		\n							\n		\n				\n						\n					\n			\n								\n				\n			\n	\n	ABOUT THE SHOW\n	\n		\n		\n	\n\n\n	\n		Bosque/ Woods is a desire to create roots in the city. The performance pursues the idea of impermanence and instability of the body\, nature\, climate and collective practices. With the collaboration of local participants\, who will stand together upside down\, the body inverts space and questions time. For how long will the body stand in? For how long will the forest stand in? The research goes beyond the idea of creating a landscape in the city\, potentiating collective practices. We need more than to plant some random trees in the corner of the cities\, in the side ways of the cars or where it’s convenient for human beings. The performance inquires about other possible ways for a body to resist\, to persist\, to carry through potentialities against the city concrete\, the lack of nature\, the climate changes\, the missing trees and the forgotten woods. The duration of this collaborative performance will vary according to the ability of each person to endure the head standing. The bodies’ struggle to remain upside down calls attention to the struggle that nature itself faces. Eventually\, and at different times\, each body-tree falls to the ground\, one by one\, where they remain until the last performer falls. The concepts of empathy and solidarity lead the dramaturgy: no one leaves until the last one resists\, we don’t leave anyone behind\, we support each other. Thus\, we call attention to the importance and strength of the collective and the possibility of diversity within it\, in the same way that naturecould resist in its biodiversity. Bosque/ Woods is a piece for contemplation\, where the public can be called to a place\, but also wants to take the audience by surprise\, people who pass by and who risk stopping for a moment and looking at the forest. This work is a proposal to look at these issues in a very poetic\, powerful\, ambitious and collective way. As the brazilian indígena leadership Airton Krenak says “….human beings have forgotten that nature is not separated from us\, nature is something that we are”. Within this Woods we-nature want to resist as long as we can\, together\, as one. 	\n\n\n	ABOUT THE CREATORS\n	\n		\n		\n	\n\n\n	\n		Catarina Saraiva PT\, Clarice Lima BR\, Nina Fajdiga SL and Aline Bonamin BR are female artists fromdifferent countries\, with different backgrounds\, who came together to develop this project. Theirpractices move between performance\, choreography\, dramaturgy and curatorship\, with strong creativeforces and desires.   Clarice Lima (1983\, Fortaleza) is a dancer\, choreographer\, teacher and director. Her trajectory is marked by an intense artistic production\, with national and international visibility. She graduated at Amsterdam School of Arts – MTD Netherlands 2006 and worked with Cristian Duarte/ LOTE BR\, Nina Fajdiga SL\, Jan Fabre/ Troubleyn BE\, among others. With her dance platform FUTURA she develops partnerships and creative strategies\, moving between the languages of dance\, performance and visual arts. She presented her works at the most important Brazilian dance festivals and abroad in Portugal\, Greece\, Spain\, Slovenia\, Belgium\, Chile and Uruguay.   Catarina Saraiva works between the European and South American continents. At the moment she is thecurator of Linha de Fuga PT and Festival Verão Azul PT\, she continues her connection with the South American continent with several projects\, institutions and artists. She was the curator of Movimiento Sur CH and of Panorama Festival BR. She’s interested in the development of critical discourses and the production of knowledge through art and interested in the synergies that can be developed between the two continents.   Nina Fajdiga (1979\, Ljubljana) is a choreographer\, performer and teacher\, graduated at Amsterdam School of Arts – SNDO Netherlands 2007. In 2006 she was awarded a most promising young choreographer byAmsterdam’s ITS festival. Her works have been supported by European Cultural Foundation\, SlovenianMinistry of culture\, produced and co-produced by DWA Amsterdam\, Huis aan de Werf Utrecht\, La CalderaBarcelona\, Tanzhaus Zurich and shown in various international dance festivals. As a performer she has collaborated with David Zambrano\, Pere Faura\, Clarice Lima\, Georg Hobmaier\, Katie Duck\, Matej Kejžar\,Simone Truong\, Matjaž Pograjc\, Sinja Ožbolt\, Mateja Bučar\, Gyula Cserepes\, Vita Osojnik\, among others.   Aline Bonamin (1984\, São Paulo) graduated in dance at Anhembi Morumbi University BR. Since 2013 she has worked in collaboration with Clarice Lima at FUTURA as a performer and choreographer assistant in the works Árvores/ Trees\, Dance Hurts\, Supernada EP01 and Bichos Soltos among others. She works as a performer with Cristian Duarte BR and Uxa Xavier BR. 	\n\n\n	IMAGE GALLERY\n	\n		\n		\n	\n\n\n	\n		\n\n\n\n	\n	\n	\n		\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n		\n	\n\n	\n	\n	\n\n	\n	\n\n\n	CREDITS\n	\n		\n		\n	\n\n\n	\n		Bosque/ Woods was selected by Big Pulse Dance Alliance and co-produced by Dublin Dance Festival (lreland)\, Julidans (Netherlands)\, ONE Dance Week (Bulgaria)\, Tanz im August / HAU Hebbel am Ufer (Germany)\, Dance Umbrella ( GB)\, CODA Oslo International Dance Festival (Norway) and presented by Zodiak – Side Step Festival (Finland)\, New Baltic Dance (Lithuania)\, International Dance Festival TANEC PRAHA (Czech Republic)\, Torinodanza Festival (Italy)\, supported by Europe Creative \, program of the European Union. With the support of the Office International de la Francophonie; the French Institute
URL:https://www.bigpulsedance.eu/event/navy-blue-at-new-baltic-dance-2023/
CATEGORIES:Scaling Up
ATTACH;FMTTYPE=image/png:https://www.bigpulsedance.eu/wp-content/uploads/2022/06/Navy-Blue_by-Oona-Doherty-©-Ghislain-Mirat.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230511
DTEND;VALUE=DATE:20230515
DTSTAMP:20261009T233630
CREATED:20230303T142931Z
LAST-MODIFIED:20230303T145112Z
UID:11447-1683763200-1684108799@www.bigpulsedance.eu
SUMMARY:ALIEN at New Baltic Dance 2023
DESCRIPTION:Presented by:\n									When / Where / How long:\n									How much:\n									BOOK TICKETS\n							\n			\n									Presented by:\n					Tanec PRAHA \n									When / Where / How long:\n					28 & 29 May 2022 (Brno)2 June 2022 (Ostrava) 7 June (Pilsen) 11 June (Prague)   Duration varies \n									How much:\n					Free \n									BOOK TICKETS\n					Find out more at tanecpraha.cz.se  \n							\n		\n				\n				\n					\n		\n							\n		\n				\n						\n					\n			\n								\n				\n			\n	\n	ABOUT THE SHOW\n	\n		\n		\n	\n\n\n	\n		Bosque/ Woods is a desire to create roots in the city. The performance pursues the idea of impermanence and instability of the body\, nature\, climate and collective practices. With the collaboration of local participants\, who will stand together upside down\, the body inverts space and questions time. For how long will the body stand in? For how long will the forest stand in? The research goes beyond the idea of creating a landscape in the city\, potentiating collective practices. We need more than to plant some random trees in the corner of the cities\, in the side ways of the cars or where it’s convenient for human beings. The performance inquires about other possible ways for a body to resist\, to persist\, to carry through potentialities against the city concrete\, the lack of nature\, the climate changes\, the missing trees and the forgotten woods. The duration of this collaborative performance will vary according to the ability of each person to endure the head standing. The bodies’ struggle to remain upside down calls attention to the struggle that nature itself faces. Eventually\, and at different times\, each body-tree falls to the ground\, one by one\, where they remain until the last performer falls. The concepts of empathy and solidarity lead the dramaturgy: no one leaves until the last one resists\, we don’t leave anyone behind\, we support each other. Thus\, we call attention to the importance and strength of the collective and the possibility of diversity within it\, in the same way that naturecould resist in its biodiversity. Bosque/ Woods is a piece for contemplation\, where the public can be called to a place\, but also wants to take the audience by surprise\, people who pass by and who risk stopping for a moment and looking at the forest. This work is a proposal to look at these issues in a very poetic\, powerful\, ambitious and collective way. As the brazilian indígena leadership Airton Krenak says “….human beings have forgotten that nature is not separated from us\, nature is something that we are”. Within this Woods we-nature want to resist as long as we can\, together\, as one. 	\n\n\n	ABOUT THE CREATORS\n	\n		\n		\n	\n\n\n	\n		Catarina Saraiva PT\, Clarice Lima BR\, Nina Fajdiga SL and Aline Bonamin BR are female artists fromdifferent countries\, with different backgrounds\, who came together to develop this project. Theirpractices move between performance\, choreography\, dramaturgy and curatorship\, with strong creativeforces and desires.   Clarice Lima (1983\, Fortaleza) is a dancer\, choreographer\, teacher and director. Her trajectory is marked by an intense artistic production\, with national and international visibility. She graduated at Amsterdam School of Arts – MTD Netherlands 2006 and worked with Cristian Duarte/ LOTE BR\, Nina Fajdiga SL\, Jan Fabre/ Troubleyn BE\, among others. With her dance platform FUTURA she develops partnerships and creative strategies\, moving between the languages of dance\, performance and visual arts. She presented her works at the most important Brazilian dance festivals and abroad in Portugal\, Greece\, Spain\, Slovenia\, Belgium\, Chile and Uruguay.   Catarina Saraiva works between the European and South American continents. At the moment she is thecurator of Linha de Fuga PT and Festival Verão Azul PT\, she continues her connection with the South American continent with several projects\, institutions and artists. She was the curator of Movimiento Sur CH and of Panorama Festival BR. She’s interested in the development of critical discourses and the production of knowledge through art and interested in the synergies that can be developed between the two continents.   Nina Fajdiga (1979\, Ljubljana) is a choreographer\, performer and teacher\, graduated at Amsterdam School of Arts – SNDO Netherlands 2007. In 2006 she was awarded a most promising young choreographer byAmsterdam’s ITS festival. Her works have been supported by European Cultural Foundation\, SlovenianMinistry of culture\, produced and co-produced by DWA Amsterdam\, Huis aan de Werf Utrecht\, La CalderaBarcelona\, Tanzhaus Zurich and shown in various international dance festivals. As a performer she has collaborated with David Zambrano\, Pere Faura\, Clarice Lima\, Georg Hobmaier\, Katie Duck\, Matej Kejžar\,Simone Truong\, Matjaž Pograjc\, Sinja Ožbolt\, Mateja Bučar\, Gyula Cserepes\, Vita Osojnik\, among others.   Aline Bonamin (1984\, São Paulo) graduated in dance at Anhembi Morumbi University BR. Since 2013 she has worked in collaboration with Clarice Lima at FUTURA as a performer and choreographer assistant in the works Árvores/ Trees\, Dance Hurts\, Supernada EP01 and Bichos Soltos among others. She works as a performer with Cristian Duarte BR and Uxa Xavier BR. 	\n\n\n	IMAGE GALLERY\n	\n		\n		\n	\n\n\n	\n		\n\n\n\n	\n	\n	\n		\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n		\n	\n\n	\n	\n	\n\n	\n	\n\n\n	CREDITS\n	\n		\n		\n	\n\n\n	\n		Bosque/ Woods was selected by Big Pulse Dance Alliance and co-produced by Dublin Dance Festival (lreland)\, Julidans (Netherlands)\, ONE Dance Week (Bulgaria)\, Tanz im August / HAU Hebbel am Ufer (Germany)\, Dance Umbrella ( GB)\, CODA Oslo International Dance Festival (Norway) and presented by Zodiak – Side Step Festival (Finland)\, New Baltic Dance (Lithuania)\, International Dance Festival TANEC PRAHA (Czech Republic)\, Torinodanza Festival (Italy)\, supported by Europe Creative \, program of the European Union. With the support of the Office International de la Francophonie; the French Institute
URL:https://www.bigpulsedance.eu/event/alien-vilnius/
CATEGORIES:Open Air
ATTACH;FMTTYPE=image/jpeg:https://www.bigpulsedance.eu/wp-content/uploads/2022/11/ALIEN-by-Taneli-Törmä-LOCATION-X-–-Photo-©-AdeY-03-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230426
DTEND;VALUE=DATE:20230515
DTSTAMP:20261009T233631
CREATED:20230124T144943Z
LAST-MODIFIED:20230302T122149Z
UID:11188-1682467200-1684108799@www.bigpulsedance.eu
SUMMARY:New Baltic Dance 2023
DESCRIPTION:Presented by:\n									When / Where / How long:\n									How much:\n									BOOK TICKETS\n							\n			\n									Presented by:\n					Tanec PRAHA \n									When / Where / How long:\n					28 & 29 May 2022 (Brno)2 June 2022 (Ostrava) 7 June (Pilsen) 11 June (Prague)   Duration varies \n									How much:\n					Free \n									BOOK TICKETS\n					Find out more at tanecpraha.cz.se  \n							\n		\n				\n				\n					\n		\n							\n		\n				\n						\n					\n			\n								\n				\n			\n	\n	ABOUT THE SHOW\n	\n		\n		\n	\n\n\n	\n		Bosque/ Woods is a desire to create roots in the city. The performance pursues the idea of impermanence and instability of the body\, nature\, climate and collective practices. With the collaboration of local participants\, who will stand together upside down\, the body inverts space and questions time. For how long will the body stand in? For how long will the forest stand in? The research goes beyond the idea of creating a landscape in the city\, potentiating collective practices. We need more than to plant some random trees in the corner of the cities\, in the side ways of the cars or where it’s convenient for human beings. The performance inquires about other possible ways for a body to resist\, to persist\, to carry through potentialities against the city concrete\, the lack of nature\, the climate changes\, the missing trees and the forgotten woods. The duration of this collaborative performance will vary according to the ability of each person to endure the head standing. The bodies’ struggle to remain upside down calls attention to the struggle that nature itself faces. Eventually\, and at different times\, each body-tree falls to the ground\, one by one\, where they remain until the last performer falls. The concepts of empathy and solidarity lead the dramaturgy: no one leaves until the last one resists\, we don’t leave anyone behind\, we support each other. Thus\, we call attention to the importance and strength of the collective and the possibility of diversity within it\, in the same way that naturecould resist in its biodiversity. Bosque/ Woods is a piece for contemplation\, where the public can be called to a place\, but also wants to take the audience by surprise\, people who pass by and who risk stopping for a moment and looking at the forest. This work is a proposal to look at these issues in a very poetic\, powerful\, ambitious and collective way. As the brazilian indígena leadership Airton Krenak says “….human beings have forgotten that nature is not separated from us\, nature is something that we are”. Within this Woods we-nature want to resist as long as we can\, together\, as one. 	\n\n\n	ABOUT THE CREATORS\n	\n		\n		\n	\n\n\n	\n		Catarina Saraiva PT\, Clarice Lima BR\, Nina Fajdiga SL and Aline Bonamin BR are female artists fromdifferent countries\, with different backgrounds\, who came together to develop this project. Theirpractices move between performance\, choreography\, dramaturgy and curatorship\, with strong creativeforces and desires.   Clarice Lima (1983\, Fortaleza) is a dancer\, choreographer\, teacher and director. Her trajectory is marked by an intense artistic production\, with national and international visibility. She graduated at Amsterdam School of Arts – MTD Netherlands 2006 and worked with Cristian Duarte/ LOTE BR\, Nina Fajdiga SL\, Jan Fabre/ Troubleyn BE\, among others. With her dance platform FUTURA she develops partnerships and creative strategies\, moving between the languages of dance\, performance and visual arts. She presented her works at the most important Brazilian dance festivals and abroad in Portugal\, Greece\, Spain\, Slovenia\, Belgium\, Chile and Uruguay.   Catarina Saraiva works between the European and South American continents. At the moment she is thecurator of Linha de Fuga PT and Festival Verão Azul PT\, she continues her connection with the South American continent with several projects\, institutions and artists. She was the curator of Movimiento Sur CH and of Panorama Festival BR. She’s interested in the development of critical discourses and the production of knowledge through art and interested in the synergies that can be developed between the two continents.   Nina Fajdiga (1979\, Ljubljana) is a choreographer\, performer and teacher\, graduated at Amsterdam School of Arts – SNDO Netherlands 2007. In 2006 she was awarded a most promising young choreographer byAmsterdam’s ITS festival. Her works have been supported by European Cultural Foundation\, SlovenianMinistry of culture\, produced and co-produced by DWA Amsterdam\, Huis aan de Werf Utrecht\, La CalderaBarcelona\, Tanzhaus Zurich and shown in various international dance festivals. As a performer she has collaborated with David Zambrano\, Pere Faura\, Clarice Lima\, Georg Hobmaier\, Katie Duck\, Matej Kejžar\,Simone Truong\, Matjaž Pograjc\, Sinja Ožbolt\, Mateja Bučar\, Gyula Cserepes\, Vita Osojnik\, among others.   Aline Bonamin (1984\, São Paulo) graduated in dance at Anhembi Morumbi University BR. Since 2013 she has worked in collaboration with Clarice Lima at FUTURA as a performer and choreographer assistant in the works Árvores/ Trees\, Dance Hurts\, Supernada EP01 and Bichos Soltos among others. She works as a performer with Cristian Duarte BR and Uxa Xavier BR. 	\n\n\n	IMAGE GALLERY\n	\n		\n		\n	\n\n\n	\n		\n\n\n\n	\n	\n	\n		\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n		\n	\n\n	\n	\n	\n\n	\n	\n\n\n	CREDITS\n	\n		\n		\n	\n\n\n	\n		Bosque/ Woods was selected by Big Pulse Dance Alliance and co-produced by Dublin Dance Festival (lreland)\, Julidans (Netherlands)\, ONE Dance Week (Bulgaria)\, Tanz im August / HAU Hebbel am Ufer (Germany)\, Dance Umbrella ( GB)\, CODA Oslo International Dance Festival (Norway) and presented by Zodiak – Side Step Festival (Finland)\, New Baltic Dance (Lithuania)\, International Dance Festival TANEC PRAHA (Czech Republic)\, Torinodanza Festival (Italy)\, supported by Europe Creative \, program of the European Union. With the support of the Office International de la Francophonie; the French Institute
URL:https://www.bigpulsedance.eu/event/new-baltic-dance-2022-2/
CATEGORIES:Festival
ATTACH;FMTTYPE=image/png:https://www.bigpulsedance.eu/wp-content/uploads/2022/12/Navy_Blue-Oona_Doherty-©-Dajana_Lothert.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230414
DTEND;VALUE=DATE:20230416
DTSTAMP:20261009T233631
CREATED:20230310T132603Z
LAST-MODIFIED:20230310T132839Z
UID:11465-1681430400-1681603199@www.bigpulsedance.eu
SUMMARY:BOSQUE / WOODS at Sismògraf
DESCRIPTION:Presented by:\n									When / Where / How long:\n									How much:\n									BOOK TICKETS\n							\n			\n									Presented by:\n					Tanec PRAHA \n									When / Where / How long:\n					28 & 29 May 2022 (Brno)2 June 2022 (Ostrava) 7 June (Pilsen) 11 June (Prague)   Duration varies \n									How much:\n					Free \n									BOOK TICKETS\n					Find out more at tanecpraha.cz.se  \n							\n		\n				\n				\n					\n		\n							\n		\n				\n						\n					\n			\n								\n				\n			\n	\n	ABOUT THE SHOW\n	\n		\n		\n	\n\n\n	\n		Bosque/ Woods is a desire to create roots in the city. The performance pursues the idea of impermanence and instability of the body\, nature\, climate and collective practices. With the collaboration of local participants\, who will stand together upside down\, the body inverts space and questions time. For how long will the body stand in? For how long will the forest stand in? The research goes beyond the idea of creating a landscape in the city\, potentiating collective practices. We need more than to plant some random trees in the corner of the cities\, in the side ways of the cars or where it’s convenient for human beings. The performance inquires about other possible ways for a body to resist\, to persist\, to carry through potentialities against the city concrete\, the lack of nature\, the climate changes\, the missing trees and the forgotten woods. The duration of this collaborative performance will vary according to the ability of each person to endure the head standing. The bodies’ struggle to remain upside down calls attention to the struggle that nature itself faces. Eventually\, and at different times\, each body-tree falls to the ground\, one by one\, where they remain until the last performer falls. The concepts of empathy and solidarity lead the dramaturgy: no one leaves until the last one resists\, we don’t leave anyone behind\, we support each other. Thus\, we call attention to the importance and strength of the collective and the possibility of diversity within it\, in the same way that naturecould resist in its biodiversity. Bosque/ Woods is a piece for contemplation\, where the public can be called to a place\, but also wants to take the audience by surprise\, people who pass by and who risk stopping for a moment and looking at the forest. This work is a proposal to look at these issues in a very poetic\, powerful\, ambitious and collective way. As the brazilian indígena leadership Airton Krenak says “….human beings have forgotten that nature is not separated from us\, nature is something that we are”. Within this Woods we-nature want to resist as long as we can\, together\, as one. 	\n\n\n	ABOUT THE CREATORS\n	\n		\n		\n	\n\n\n	\n		Catarina Saraiva PT\, Clarice Lima BR\, Nina Fajdiga SL and Aline Bonamin BR are female artists fromdifferent countries\, with different backgrounds\, who came together to develop this project. Theirpractices move between performance\, choreography\, dramaturgy and curatorship\, with strong creativeforces and desires.   Clarice Lima (1983\, Fortaleza) is a dancer\, choreographer\, teacher and director. Her trajectory is marked by an intense artistic production\, with national and international visibility. She graduated at Amsterdam School of Arts – MTD Netherlands 2006 and worked with Cristian Duarte/ LOTE BR\, Nina Fajdiga SL\, Jan Fabre/ Troubleyn BE\, among others. With her dance platform FUTURA she develops partnerships and creative strategies\, moving between the languages of dance\, performance and visual arts. She presented her works at the most important Brazilian dance festivals and abroad in Portugal\, Greece\, Spain\, Slovenia\, Belgium\, Chile and Uruguay.   Catarina Saraiva works between the European and South American continents. At the moment she is thecurator of Linha de Fuga PT and Festival Verão Azul PT\, she continues her connection with the South American continent with several projects\, institutions and artists. She was the curator of Movimiento Sur CH and of Panorama Festival BR. She’s interested in the development of critical discourses and the production of knowledge through art and interested in the synergies that can be developed between the two continents.   Nina Fajdiga (1979\, Ljubljana) is a choreographer\, performer and teacher\, graduated at Amsterdam School of Arts – SNDO Netherlands 2007. In 2006 she was awarded a most promising young choreographer byAmsterdam’s ITS festival. Her works have been supported by European Cultural Foundation\, SlovenianMinistry of culture\, produced and co-produced by DWA Amsterdam\, Huis aan de Werf Utrecht\, La CalderaBarcelona\, Tanzhaus Zurich and shown in various international dance festivals. As a performer she has collaborated with David Zambrano\, Pere Faura\, Clarice Lima\, Georg Hobmaier\, Katie Duck\, Matej Kejžar\,Simone Truong\, Matjaž Pograjc\, Sinja Ožbolt\, Mateja Bučar\, Gyula Cserepes\, Vita Osojnik\, among others.   Aline Bonamin (1984\, São Paulo) graduated in dance at Anhembi Morumbi University BR. Since 2013 she has worked in collaboration with Clarice Lima at FUTURA as a performer and choreographer assistant in the works Árvores/ Trees\, Dance Hurts\, Supernada EP01 and Bichos Soltos among others. She works as a performer with Cristian Duarte BR and Uxa Xavier BR. 	\n\n\n	IMAGE GALLERY\n	\n		\n		\n	\n\n\n	\n		\n\n\n\n	\n	\n	\n		\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n		\n	\n\n	\n	\n	\n\n	\n	\n\n\n	CREDITS\n	\n		\n		\n	\n\n\n	\n		Bosque/ Woods was selected by Big Pulse Dance Alliance and co-produced by Dublin Dance Festival (lreland)\, Julidans (Netherlands)\, ONE Dance Week (Bulgaria)\, Tanz im August / HAU Hebbel am Ufer (Germany)\, Dance Umbrella ( GB)\, CODA Oslo International Dance Festival (Norway) and presented by Zodiak – Side Step Festival (Finland)\, New Baltic Dance (Lithuania)\, International Dance Festival TANEC PRAHA (Czech Republic)\, Torinodanza Festival (Italy)\, supported by Europe Creative \, program of the European Union. With the support of the Office International de la Francophonie; the French Institute
URL:https://www.bigpulsedance.eu/event/bosque-woods-at-sismograf/
CATEGORIES:Open Air
ATTACH;FMTTYPE=image/jpeg:https://www.bigpulsedance.eu/wp-content/uploads/2021/11/Event-Image-1300-x-1597-px.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230413
DTEND;VALUE=DATE:20230417
DTSTAMP:20261009T233631
CREATED:20230310T133709Z
LAST-MODIFIED:20230310T133917Z
UID:11470-1681344000-1681689599@www.bigpulsedance.eu
SUMMARY:Sismògraf Festival 2023
DESCRIPTION:Presented by:\n									When / Where / How long:\n									How much:\n									BOOK TICKETS\n							\n			\n									Presented by:\n					Tanec PRAHA \n									When / Where / How long:\n					28 & 29 May 2022 (Brno)2 June 2022 (Ostrava) 7 June (Pilsen) 11 June (Prague)   Duration varies \n									How much:\n					Free \n									BOOK TICKETS\n					Find out more at tanecpraha.cz.se  \n							\n		\n				\n				\n					\n		\n							\n		\n				\n						\n					\n			\n								\n				\n			\n	\n	ABOUT THE SHOW\n	\n		\n		\n	\n\n\n	\n		Bosque/ Woods is a desire to create roots in the city. The performance pursues the idea of impermanence and instability of the body\, nature\, climate and collective practices. With the collaboration of local participants\, who will stand together upside down\, the body inverts space and questions time. For how long will the body stand in? For how long will the forest stand in? The research goes beyond the idea of creating a landscape in the city\, potentiating collective practices. We need more than to plant some random trees in the corner of the cities\, in the side ways of the cars or where it’s convenient for human beings. The performance inquires about other possible ways for a body to resist\, to persist\, to carry through potentialities against the city concrete\, the lack of nature\, the climate changes\, the missing trees and the forgotten woods. The duration of this collaborative performance will vary according to the ability of each person to endure the head standing. The bodies’ struggle to remain upside down calls attention to the struggle that nature itself faces. Eventually\, and at different times\, each body-tree falls to the ground\, one by one\, where they remain until the last performer falls. The concepts of empathy and solidarity lead the dramaturgy: no one leaves until the last one resists\, we don’t leave anyone behind\, we support each other. Thus\, we call attention to the importance and strength of the collective and the possibility of diversity within it\, in the same way that naturecould resist in its biodiversity. Bosque/ Woods is a piece for contemplation\, where the public can be called to a place\, but also wants to take the audience by surprise\, people who pass by and who risk stopping for a moment and looking at the forest. This work is a proposal to look at these issues in a very poetic\, powerful\, ambitious and collective way. As the brazilian indígena leadership Airton Krenak says “….human beings have forgotten that nature is not separated from us\, nature is something that we are”. Within this Woods we-nature want to resist as long as we can\, together\, as one. 	\n\n\n	ABOUT THE CREATORS\n	\n		\n		\n	\n\n\n	\n		Catarina Saraiva PT\, Clarice Lima BR\, Nina Fajdiga SL and Aline Bonamin BR are female artists fromdifferent countries\, with different backgrounds\, who came together to develop this project. Theirpractices move between performance\, choreography\, dramaturgy and curatorship\, with strong creativeforces and desires.   Clarice Lima (1983\, Fortaleza) is a dancer\, choreographer\, teacher and director. Her trajectory is marked by an intense artistic production\, with national and international visibility. She graduated at Amsterdam School of Arts – MTD Netherlands 2006 and worked with Cristian Duarte/ LOTE BR\, Nina Fajdiga SL\, Jan Fabre/ Troubleyn BE\, among others. With her dance platform FUTURA she develops partnerships and creative strategies\, moving between the languages of dance\, performance and visual arts. She presented her works at the most important Brazilian dance festivals and abroad in Portugal\, Greece\, Spain\, Slovenia\, Belgium\, Chile and Uruguay.   Catarina Saraiva works between the European and South American continents. At the moment she is thecurator of Linha de Fuga PT and Festival Verão Azul PT\, she continues her connection with the South American continent with several projects\, institutions and artists. She was the curator of Movimiento Sur CH and of Panorama Festival BR. She’s interested in the development of critical discourses and the production of knowledge through art and interested in the synergies that can be developed between the two continents.   Nina Fajdiga (1979\, Ljubljana) is a choreographer\, performer and teacher\, graduated at Amsterdam School of Arts – SNDO Netherlands 2007. In 2006 she was awarded a most promising young choreographer byAmsterdam’s ITS festival. Her works have been supported by European Cultural Foundation\, SlovenianMinistry of culture\, produced and co-produced by DWA Amsterdam\, Huis aan de Werf Utrecht\, La CalderaBarcelona\, Tanzhaus Zurich and shown in various international dance festivals. As a performer she has collaborated with David Zambrano\, Pere Faura\, Clarice Lima\, Georg Hobmaier\, Katie Duck\, Matej Kejžar\,Simone Truong\, Matjaž Pograjc\, Sinja Ožbolt\, Mateja Bučar\, Gyula Cserepes\, Vita Osojnik\, among others.   Aline Bonamin (1984\, São Paulo) graduated in dance at Anhembi Morumbi University BR. Since 2013 she has worked in collaboration with Clarice Lima at FUTURA as a performer and choreographer assistant in the works Árvores/ Trees\, Dance Hurts\, Supernada EP01 and Bichos Soltos among others. She works as a performer with Cristian Duarte BR and Uxa Xavier BR. 	\n\n\n	IMAGE GALLERY\n	\n		\n		\n	\n\n\n	\n		\n\n\n\n	\n	\n	\n		\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n		\n	\n\n	\n	\n	\n\n	\n	\n\n\n	CREDITS\n	\n		\n		\n	\n\n\n	\n		Bosque/ Woods was selected by Big Pulse Dance Alliance and co-produced by Dublin Dance Festival (lreland)\, Julidans (Netherlands)\, ONE Dance Week (Bulgaria)\, Tanz im August / HAU Hebbel am Ufer (Germany)\, Dance Umbrella ( GB)\, CODA Oslo International Dance Festival (Norway) and presented by Zodiak – Side Step Festival (Finland)\, New Baltic Dance (Lithuania)\, International Dance Festival TANEC PRAHA (Czech Republic)\, Torinodanza Festival (Italy)\, supported by Europe Creative \, program of the European Union. With the support of the Office International de la Francophonie; the French Institute
URL:https://www.bigpulsedance.eu/event/sismograf-festival-2023/
CATEGORIES:Festival
ATTACH;FMTTYPE=image/jpeg:https://www.bigpulsedance.eu/wp-content/uploads/2023/03/Sismograf.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230328
DTEND;VALUE=DATE:20230330
DTSTAMP:20261009T233631
CREATED:20230302T133526Z
LAST-MODIFIED:20230302T161734Z
UID:11353-1679961600-1680134399@www.bigpulsedance.eu
SUMMARY:Carcass | La Raffinerie (Brussels\, Belgium)
DESCRIPTION:Presented by:\n									When / Where / How long:\n									How much:\n									BOOK TICKETS\n							\n			\n									Presented by:\n					Tanec PRAHA \n									When / Where / How long:\n					28 & 29 May 2022 (Brno)2 June 2022 (Ostrava) 7 June (Pilsen) 11 June (Prague)   Duration varies \n									How much:\n					Free \n									BOOK TICKETS\n					Find out more at tanecpraha.cz.se  \n							\n		\n				\n				\n					\n		\n							\n		\n				\n						\n					\n			\n								\n				\n			\n	\n	ABOUT THE SHOW\n	\n		\n		\n	\n\n\n	\n		Bosque/ Woods is a desire to create roots in the city. The performance pursues the idea of impermanence and instability of the body\, nature\, climate and collective practices. With the collaboration of local participants\, who will stand together upside down\, the body inverts space and questions time. For how long will the body stand in? For how long will the forest stand in? The research goes beyond the idea of creating a landscape in the city\, potentiating collective practices. We need more than to plant some random trees in the corner of the cities\, in the side ways of the cars or where it’s convenient for human beings. The performance inquires about other possible ways for a body to resist\, to persist\, to carry through potentialities against the city concrete\, the lack of nature\, the climate changes\, the missing trees and the forgotten woods. The duration of this collaborative performance will vary according to the ability of each person to endure the head standing. The bodies’ struggle to remain upside down calls attention to the struggle that nature itself faces. Eventually\, and at different times\, each body-tree falls to the ground\, one by one\, where they remain until the last performer falls. The concepts of empathy and solidarity lead the dramaturgy: no one leaves until the last one resists\, we don’t leave anyone behind\, we support each other. Thus\, we call attention to the importance and strength of the collective and the possibility of diversity within it\, in the same way that naturecould resist in its biodiversity. Bosque/ Woods is a piece for contemplation\, where the public can be called to a place\, but also wants to take the audience by surprise\, people who pass by and who risk stopping for a moment and looking at the forest. This work is a proposal to look at these issues in a very poetic\, powerful\, ambitious and collective way. As the brazilian indígena leadership Airton Krenak says “….human beings have forgotten that nature is not separated from us\, nature is something that we are”. Within this Woods we-nature want to resist as long as we can\, together\, as one. 	\n\n\n	ABOUT THE CREATORS\n	\n		\n		\n	\n\n\n	\n		Catarina Saraiva PT\, Clarice Lima BR\, Nina Fajdiga SL and Aline Bonamin BR are female artists fromdifferent countries\, with different backgrounds\, who came together to develop this project. Theirpractices move between performance\, choreography\, dramaturgy and curatorship\, with strong creativeforces and desires.   Clarice Lima (1983\, Fortaleza) is a dancer\, choreographer\, teacher and director. Her trajectory is marked by an intense artistic production\, with national and international visibility. She graduated at Amsterdam School of Arts – MTD Netherlands 2006 and worked with Cristian Duarte/ LOTE BR\, Nina Fajdiga SL\, Jan Fabre/ Troubleyn BE\, among others. With her dance platform FUTURA she develops partnerships and creative strategies\, moving between the languages of dance\, performance and visual arts. She presented her works at the most important Brazilian dance festivals and abroad in Portugal\, Greece\, Spain\, Slovenia\, Belgium\, Chile and Uruguay.   Catarina Saraiva works between the European and South American continents. At the moment she is thecurator of Linha de Fuga PT and Festival Verão Azul PT\, she continues her connection with the South American continent with several projects\, institutions and artists. She was the curator of Movimiento Sur CH and of Panorama Festival BR. She’s interested in the development of critical discourses and the production of knowledge through art and interested in the synergies that can be developed between the two continents.   Nina Fajdiga (1979\, Ljubljana) is a choreographer\, performer and teacher\, graduated at Amsterdam School of Arts – SNDO Netherlands 2007. In 2006 she was awarded a most promising young choreographer byAmsterdam’s ITS festival. Her works have been supported by European Cultural Foundation\, SlovenianMinistry of culture\, produced and co-produced by DWA Amsterdam\, Huis aan de Werf Utrecht\, La CalderaBarcelona\, Tanzhaus Zurich and shown in various international dance festivals. As a performer she has collaborated with David Zambrano\, Pere Faura\, Clarice Lima\, Georg Hobmaier\, Katie Duck\, Matej Kejžar\,Simone Truong\, Matjaž Pograjc\, Sinja Ožbolt\, Mateja Bučar\, Gyula Cserepes\, Vita Osojnik\, among others.   Aline Bonamin (1984\, São Paulo) graduated in dance at Anhembi Morumbi University BR. Since 2013 she has worked in collaboration with Clarice Lima at FUTURA as a performer and choreographer assistant in the works Árvores/ Trees\, Dance Hurts\, Supernada EP01 and Bichos Soltos among others. She works as a performer with Cristian Duarte BR and Uxa Xavier BR. 	\n\n\n	IMAGE GALLERY\n	\n		\n		\n	\n\n\n	\n		\n\n\n\n	\n	\n	\n		\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n		\n	\n\n	\n	\n	\n\n	\n	\n\n\n	CREDITS\n	\n		\n		\n	\n\n\n	\n		Bosque/ Woods was selected by Big Pulse Dance Alliance and co-produced by Dublin Dance Festival (lreland)\, Julidans (Netherlands)\, ONE Dance Week (Bulgaria)\, Tanz im August / HAU Hebbel am Ufer (Germany)\, Dance Umbrella ( GB)\, CODA Oslo International Dance Festival (Norway) and presented by Zodiak – Side Step Festival (Finland)\, New Baltic Dance (Lithuania)\, International Dance Festival TANEC PRAHA (Czech Republic)\, Torinodanza Festival (Italy)\, supported by Europe Creative \, program of the European Union. With the support of the Office International de la Francophonie; the French Institute
URL:https://www.bigpulsedance.eu/event/carcass-la-raffinerie-brussels-belgium/
CATEGORIES:Scaling Up
ATTACH;FMTTYPE=image/png:https://www.bigpulsedance.eu/wp-content/uploads/2022/10/CARCASS-–-Marco_da_Silva_Ferreira-©-José_Caideira_TMP-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230325
DTEND;VALUE=DATE:20230326
DTSTAMP:20261009T233631
CREATED:20230302T133109Z
LAST-MODIFIED:20230302T161459Z
UID:11348-1679702400-1679788799@www.bigpulsedance.eu
SUMMARY:Carcass | Théâtre Louis Aragon (Tremblay\, France)
DESCRIPTION:Presented by:\n									When / Where / How long:\n									How much:\n									BOOK TICKETS\n							\n			\n									Presented by:\n					Tanec PRAHA \n									When / Where / How long:\n					28 & 29 May 2022 (Brno)2 June 2022 (Ostrava) 7 June (Pilsen) 11 June (Prague)   Duration varies \n									How much:\n					Free \n									BOOK TICKETS\n					Find out more at tanecpraha.cz.se  \n							\n		\n				\n				\n					\n		\n							\n		\n				\n						\n					\n			\n								\n				\n			\n	\n	ABOUT THE SHOW\n	\n		\n		\n	\n\n\n	\n		Bosque/ Woods is a desire to create roots in the city. The performance pursues the idea of impermanence and instability of the body\, nature\, climate and collective practices. With the collaboration of local participants\, who will stand together upside down\, the body inverts space and questions time. For how long will the body stand in? For how long will the forest stand in? The research goes beyond the idea of creating a landscape in the city\, potentiating collective practices. We need more than to plant some random trees in the corner of the cities\, in the side ways of the cars or where it’s convenient for human beings. The performance inquires about other possible ways for a body to resist\, to persist\, to carry through potentialities against the city concrete\, the lack of nature\, the climate changes\, the missing trees and the forgotten woods. The duration of this collaborative performance will vary according to the ability of each person to endure the head standing. The bodies’ struggle to remain upside down calls attention to the struggle that nature itself faces. Eventually\, and at different times\, each body-tree falls to the ground\, one by one\, where they remain until the last performer falls. The concepts of empathy and solidarity lead the dramaturgy: no one leaves until the last one resists\, we don’t leave anyone behind\, we support each other. Thus\, we call attention to the importance and strength of the collective and the possibility of diversity within it\, in the same way that naturecould resist in its biodiversity. Bosque/ Woods is a piece for contemplation\, where the public can be called to a place\, but also wants to take the audience by surprise\, people who pass by and who risk stopping for a moment and looking at the forest. This work is a proposal to look at these issues in a very poetic\, powerful\, ambitious and collective way. As the brazilian indígena leadership Airton Krenak says “….human beings have forgotten that nature is not separated from us\, nature is something that we are”. Within this Woods we-nature want to resist as long as we can\, together\, as one. 	\n\n\n	ABOUT THE CREATORS\n	\n		\n		\n	\n\n\n	\n		Catarina Saraiva PT\, Clarice Lima BR\, Nina Fajdiga SL and Aline Bonamin BR are female artists fromdifferent countries\, with different backgrounds\, who came together to develop this project. Theirpractices move between performance\, choreography\, dramaturgy and curatorship\, with strong creativeforces and desires.   Clarice Lima (1983\, Fortaleza) is a dancer\, choreographer\, teacher and director. Her trajectory is marked by an intense artistic production\, with national and international visibility. She graduated at Amsterdam School of Arts – MTD Netherlands 2006 and worked with Cristian Duarte/ LOTE BR\, Nina Fajdiga SL\, Jan Fabre/ Troubleyn BE\, among others. With her dance platform FUTURA she develops partnerships and creative strategies\, moving between the languages of dance\, performance and visual arts. She presented her works at the most important Brazilian dance festivals and abroad in Portugal\, Greece\, Spain\, Slovenia\, Belgium\, Chile and Uruguay.   Catarina Saraiva works between the European and South American continents. At the moment she is thecurator of Linha de Fuga PT and Festival Verão Azul PT\, she continues her connection with the South American continent with several projects\, institutions and artists. She was the curator of Movimiento Sur CH and of Panorama Festival BR. She’s interested in the development of critical discourses and the production of knowledge through art and interested in the synergies that can be developed between the two continents.   Nina Fajdiga (1979\, Ljubljana) is a choreographer\, performer and teacher\, graduated at Amsterdam School of Arts – SNDO Netherlands 2007. In 2006 she was awarded a most promising young choreographer byAmsterdam’s ITS festival. Her works have been supported by European Cultural Foundation\, SlovenianMinistry of culture\, produced and co-produced by DWA Amsterdam\, Huis aan de Werf Utrecht\, La CalderaBarcelona\, Tanzhaus Zurich and shown in various international dance festivals. As a performer she has collaborated with David Zambrano\, Pere Faura\, Clarice Lima\, Georg Hobmaier\, Katie Duck\, Matej Kejžar\,Simone Truong\, Matjaž Pograjc\, Sinja Ožbolt\, Mateja Bučar\, Gyula Cserepes\, Vita Osojnik\, among others.   Aline Bonamin (1984\, São Paulo) graduated in dance at Anhembi Morumbi University BR. Since 2013 she has worked in collaboration with Clarice Lima at FUTURA as a performer and choreographer assistant in the works Árvores/ Trees\, Dance Hurts\, Supernada EP01 and Bichos Soltos among others. She works as a performer with Cristian Duarte BR and Uxa Xavier BR. 	\n\n\n	IMAGE GALLERY\n	\n		\n		\n	\n\n\n	\n		\n\n\n\n	\n	\n	\n		\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n		\n	\n\n	\n	\n	\n\n	\n	\n\n\n	CREDITS\n	\n		\n		\n	\n\n\n	\n		Bosque/ Woods was selected by Big Pulse Dance Alliance and co-produced by Dublin Dance Festival (lreland)\, Julidans (Netherlands)\, ONE Dance Week (Bulgaria)\, Tanz im August / HAU Hebbel am Ufer (Germany)\, Dance Umbrella ( GB)\, CODA Oslo International Dance Festival (Norway) and presented by Zodiak – Side Step Festival (Finland)\, New Baltic Dance (Lithuania)\, International Dance Festival TANEC PRAHA (Czech Republic)\, Torinodanza Festival (Italy)\, supported by Europe Creative \, program of the European Union. With the support of the Office International de la Francophonie; the French Institute
URL:https://www.bigpulsedance.eu/event/carcass-theatre-louis-aragon-tremblay-france/
CATEGORIES:Scaling Up
ATTACH;FMTTYPE=image/png:https://www.bigpulsedance.eu/wp-content/uploads/2022/10/CARCASS-–-Marco_da_Silva_Ferreira-©-José_Caideira_TMP-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230323
DTEND;VALUE=DATE:20230424
DTSTAMP:20261009T233631
CREATED:20230303T112546Z
LAST-MODIFIED:20230328T133521Z
UID:11405-1679529600-1682294399@www.bigpulsedance.eu
SUMMARY:City Horses film installation | Liljevalch Art Gallery (Stockholm\, Sweden)
DESCRIPTION:Presented by:\n									When / Where / How long:\n									How much:\n									BOOK TICKETS\n							\n			\n									Presented by:\n					Tanec PRAHA \n									When / Where / How long:\n					28 & 29 May 2022 (Brno)2 June 2022 (Ostrava) 7 June (Pilsen) 11 June (Prague)   Duration varies \n									How much:\n					Free \n									BOOK TICKETS\n					Find out more at tanecpraha.cz.se  \n							\n		\n				\n				\n					\n		\n							\n		\n				\n						\n					\n			\n								\n				\n			\n	\n	ABOUT THE SHOW\n	\n		\n		\n	\n\n\n	\n		Bosque/ Woods is a desire to create roots in the city. The performance pursues the idea of impermanence and instability of the body\, nature\, climate and collective practices. With the collaboration of local participants\, who will stand together upside down\, the body inverts space and questions time. For how long will the body stand in? For how long will the forest stand in? The research goes beyond the idea of creating a landscape in the city\, potentiating collective practices. We need more than to plant some random trees in the corner of the cities\, in the side ways of the cars or where it’s convenient for human beings. The performance inquires about other possible ways for a body to resist\, to persist\, to carry through potentialities against the city concrete\, the lack of nature\, the climate changes\, the missing trees and the forgotten woods. The duration of this collaborative performance will vary according to the ability of each person to endure the head standing. The bodies’ struggle to remain upside down calls attention to the struggle that nature itself faces. Eventually\, and at different times\, each body-tree falls to the ground\, one by one\, where they remain until the last performer falls. The concepts of empathy and solidarity lead the dramaturgy: no one leaves until the last one resists\, we don’t leave anyone behind\, we support each other. Thus\, we call attention to the importance and strength of the collective and the possibility of diversity within it\, in the same way that naturecould resist in its biodiversity. Bosque/ Woods is a piece for contemplation\, where the public can be called to a place\, but also wants to take the audience by surprise\, people who pass by and who risk stopping for a moment and looking at the forest. This work is a proposal to look at these issues in a very poetic\, powerful\, ambitious and collective way. As the brazilian indígena leadership Airton Krenak says “….human beings have forgotten that nature is not separated from us\, nature is something that we are”. Within this Woods we-nature want to resist as long as we can\, together\, as one. 	\n\n\n	ABOUT THE CREATORS\n	\n		\n		\n	\n\n\n	\n		Catarina Saraiva PT\, Clarice Lima BR\, Nina Fajdiga SL and Aline Bonamin BR are female artists fromdifferent countries\, with different backgrounds\, who came together to develop this project. Theirpractices move between performance\, choreography\, dramaturgy and curatorship\, with strong creativeforces and desires.   Clarice Lima (1983\, Fortaleza) is a dancer\, choreographer\, teacher and director. Her trajectory is marked by an intense artistic production\, with national and international visibility. She graduated at Amsterdam School of Arts – MTD Netherlands 2006 and worked with Cristian Duarte/ LOTE BR\, Nina Fajdiga SL\, Jan Fabre/ Troubleyn BE\, among others. With her dance platform FUTURA she develops partnerships and creative strategies\, moving between the languages of dance\, performance and visual arts. She presented her works at the most important Brazilian dance festivals and abroad in Portugal\, Greece\, Spain\, Slovenia\, Belgium\, Chile and Uruguay.   Catarina Saraiva works between the European and South American continents. At the moment she is thecurator of Linha de Fuga PT and Festival Verão Azul PT\, she continues her connection with the South American continent with several projects\, institutions and artists. She was the curator of Movimiento Sur CH and of Panorama Festival BR. She’s interested in the development of critical discourses and the production of knowledge through art and interested in the synergies that can be developed between the two continents.   Nina Fajdiga (1979\, Ljubljana) is a choreographer\, performer and teacher\, graduated at Amsterdam School of Arts – SNDO Netherlands 2007. In 2006 she was awarded a most promising young choreographer byAmsterdam’s ITS festival. Her works have been supported by European Cultural Foundation\, SlovenianMinistry of culture\, produced and co-produced by DWA Amsterdam\, Huis aan de Werf Utrecht\, La CalderaBarcelona\, Tanzhaus Zurich and shown in various international dance festivals. As a performer she has collaborated with David Zambrano\, Pere Faura\, Clarice Lima\, Georg Hobmaier\, Katie Duck\, Matej Kejžar\,Simone Truong\, Matjaž Pograjc\, Sinja Ožbolt\, Mateja Bučar\, Gyula Cserepes\, Vita Osojnik\, among others.   Aline Bonamin (1984\, São Paulo) graduated in dance at Anhembi Morumbi University BR. Since 2013 she has worked in collaboration with Clarice Lima at FUTURA as a performer and choreographer assistant in the works Árvores/ Trees\, Dance Hurts\, Supernada EP01 and Bichos Soltos among others. She works as a performer with Cristian Duarte BR and Uxa Xavier BR. 	\n\n\n	IMAGE GALLERY\n	\n		\n		\n	\n\n\n	\n		\n\n\n\n	\n	\n	\n		\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n		\n	\n\n	\n	\n	\n\n	\n	\n\n\n	CREDITS\n	\n		\n		\n	\n\n\n	\n		Bosque/ Woods was selected by Big Pulse Dance Alliance and co-produced by Dublin Dance Festival (lreland)\, Julidans (Netherlands)\, ONE Dance Week (Bulgaria)\, Tanz im August / HAU Hebbel am Ufer (Germany)\, Dance Umbrella ( GB)\, CODA Oslo International Dance Festival (Norway) and presented by Zodiak – Side Step Festival (Finland)\, New Baltic Dance (Lithuania)\, International Dance Festival TANEC PRAHA (Czech Republic)\, Torinodanza Festival (Italy)\, supported by Europe Creative \, program of the European Union. With the support of the Office International de la Francophonie; the French Institute
URL:https://www.bigpulsedance.eu/event/city-horses-exhibition/
LOCATION:Liljevalch Art Gallery
CATEGORIES:Big Pulse Picks
ATTACH;FMTTYPE=image/jpeg:https://www.bigpulsedance.eu/wp-content/uploads/2023/03/image001-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230321
DTEND;VALUE=DATE:20230322
DTSTAMP:20261009T233631
CREATED:20230302T132500Z
LAST-MODIFIED:20230302T161350Z
UID:11342-1679356800-1679443199@www.bigpulsedance.eu
SUMMARY:Carcass | Théâtre de Châtillon (Châtillon\, France)
DESCRIPTION:Presented by:\n									When / Where / How long:\n									How much:\n									BOOK TICKETS\n							\n			\n									Presented by:\n					Tanec PRAHA \n									When / Where / How long:\n					28 & 29 May 2022 (Brno)2 June 2022 (Ostrava) 7 June (Pilsen) 11 June (Prague)   Duration varies \n									How much:\n					Free \n									BOOK TICKETS\n					Find out more at tanecpraha.cz.se  \n							\n		\n				\n				\n					\n		\n							\n		\n				\n						\n					\n			\n								\n				\n			\n	\n	ABOUT THE SHOW\n	\n		\n		\n	\n\n\n	\n		Bosque/ Woods is a desire to create roots in the city. The performance pursues the idea of impermanence and instability of the body\, nature\, climate and collective practices. With the collaboration of local participants\, who will stand together upside down\, the body inverts space and questions time. For how long will the body stand in? For how long will the forest stand in? The research goes beyond the idea of creating a landscape in the city\, potentiating collective practices. We need more than to plant some random trees in the corner of the cities\, in the side ways of the cars or where it’s convenient for human beings. The performance inquires about other possible ways for a body to resist\, to persist\, to carry through potentialities against the city concrete\, the lack of nature\, the climate changes\, the missing trees and the forgotten woods. The duration of this collaborative performance will vary according to the ability of each person to endure the head standing. The bodies’ struggle to remain upside down calls attention to the struggle that nature itself faces. Eventually\, and at different times\, each body-tree falls to the ground\, one by one\, where they remain until the last performer falls. The concepts of empathy and solidarity lead the dramaturgy: no one leaves until the last one resists\, we don’t leave anyone behind\, we support each other. Thus\, we call attention to the importance and strength of the collective and the possibility of diversity within it\, in the same way that naturecould resist in its biodiversity. Bosque/ Woods is a piece for contemplation\, where the public can be called to a place\, but also wants to take the audience by surprise\, people who pass by and who risk stopping for a moment and looking at the forest. This work is a proposal to look at these issues in a very poetic\, powerful\, ambitious and collective way. As the brazilian indígena leadership Airton Krenak says “….human beings have forgotten that nature is not separated from us\, nature is something that we are”. Within this Woods we-nature want to resist as long as we can\, together\, as one. 	\n\n\n	ABOUT THE CREATORS\n	\n		\n		\n	\n\n\n	\n		Catarina Saraiva PT\, Clarice Lima BR\, Nina Fajdiga SL and Aline Bonamin BR are female artists fromdifferent countries\, with different backgrounds\, who came together to develop this project. Theirpractices move between performance\, choreography\, dramaturgy and curatorship\, with strong creativeforces and desires.   Clarice Lima (1983\, Fortaleza) is a dancer\, choreographer\, teacher and director. Her trajectory is marked by an intense artistic production\, with national and international visibility. She graduated at Amsterdam School of Arts – MTD Netherlands 2006 and worked with Cristian Duarte/ LOTE BR\, Nina Fajdiga SL\, Jan Fabre/ Troubleyn BE\, among others. With her dance platform FUTURA she develops partnerships and creative strategies\, moving between the languages of dance\, performance and visual arts. She presented her works at the most important Brazilian dance festivals and abroad in Portugal\, Greece\, Spain\, Slovenia\, Belgium\, Chile and Uruguay.   Catarina Saraiva works between the European and South American continents. At the moment she is thecurator of Linha de Fuga PT and Festival Verão Azul PT\, she continues her connection with the South American continent with several projects\, institutions and artists. She was the curator of Movimiento Sur CH and of Panorama Festival BR. She’s interested in the development of critical discourses and the production of knowledge through art and interested in the synergies that can be developed between the two continents.   Nina Fajdiga (1979\, Ljubljana) is a choreographer\, performer and teacher\, graduated at Amsterdam School of Arts – SNDO Netherlands 2007. In 2006 she was awarded a most promising young choreographer byAmsterdam’s ITS festival. Her works have been supported by European Cultural Foundation\, SlovenianMinistry of culture\, produced and co-produced by DWA Amsterdam\, Huis aan de Werf Utrecht\, La CalderaBarcelona\, Tanzhaus Zurich and shown in various international dance festivals. As a performer she has collaborated with David Zambrano\, Pere Faura\, Clarice Lima\, Georg Hobmaier\, Katie Duck\, Matej Kejžar\,Simone Truong\, Matjaž Pograjc\, Sinja Ožbolt\, Mateja Bučar\, Gyula Cserepes\, Vita Osojnik\, among others.   Aline Bonamin (1984\, São Paulo) graduated in dance at Anhembi Morumbi University BR. Since 2013 she has worked in collaboration with Clarice Lima at FUTURA as a performer and choreographer assistant in the works Árvores/ Trees\, Dance Hurts\, Supernada EP01 and Bichos Soltos among others. She works as a performer with Cristian Duarte BR and Uxa Xavier BR. 	\n\n\n	IMAGE GALLERY\n	\n		\n		\n	\n\n\n	\n		\n\n\n\n	\n	\n	\n		\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n		\n	\n\n	\n	\n	\n\n	\n	\n\n\n	CREDITS\n	\n		\n		\n	\n\n\n	\n		Bosque/ Woods was selected by Big Pulse Dance Alliance and co-produced by Dublin Dance Festival (lreland)\, Julidans (Netherlands)\, ONE Dance Week (Bulgaria)\, Tanz im August / HAU Hebbel am Ufer (Germany)\, Dance Umbrella ( GB)\, CODA Oslo International Dance Festival (Norway) and presented by Zodiak – Side Step Festival (Finland)\, New Baltic Dance (Lithuania)\, International Dance Festival TANEC PRAHA (Czech Republic)\, Torinodanza Festival (Italy)\, supported by Europe Creative \, program of the European Union. With the support of the Office International de la Francophonie; the French Institute
URL:https://www.bigpulsedance.eu/event/carcass-theatre-de-chatillon-chatillon-france/
CATEGORIES:Scaling Up
ATTACH;FMTTYPE=image/png:https://www.bigpulsedance.eu/wp-content/uploads/2022/10/CARCASS-–-Marco_da_Silva_Ferreira-©-José_Caideira_TMP-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230316
DTEND;VALUE=DATE:20230319
DTSTAMP:20261009T233631
CREATED:20230302T131851Z
LAST-MODIFIED:20230302T161344Z
UID:11336-1678924800-1679183999@www.bigpulsedance.eu
SUMMARY:Carcass | MAC (Créteil\, France)
DESCRIPTION:Presented by:\n									When / Where / How long:\n									How much:\n									BOOK TICKETS\n							\n			\n									Presented by:\n					Tanec PRAHA \n									When / Where / How long:\n					28 & 29 May 2022 (Brno)2 June 2022 (Ostrava) 7 June (Pilsen) 11 June (Prague)   Duration varies \n									How much:\n					Free \n									BOOK TICKETS\n					Find out more at tanecpraha.cz.se  \n							\n		\n				\n				\n					\n		\n							\n		\n				\n						\n					\n			\n								\n				\n			\n	\n	ABOUT THE SHOW\n	\n		\n		\n	\n\n\n	\n		Bosque/ Woods is a desire to create roots in the city. The performance pursues the idea of impermanence and instability of the body\, nature\, climate and collective practices. With the collaboration of local participants\, who will stand together upside down\, the body inverts space and questions time. For how long will the body stand in? For how long will the forest stand in? The research goes beyond the idea of creating a landscape in the city\, potentiating collective practices. We need more than to plant some random trees in the corner of the cities\, in the side ways of the cars or where it’s convenient for human beings. The performance inquires about other possible ways for a body to resist\, to persist\, to carry through potentialities against the city concrete\, the lack of nature\, the climate changes\, the missing trees and the forgotten woods. The duration of this collaborative performance will vary according to the ability of each person to endure the head standing. The bodies’ struggle to remain upside down calls attention to the struggle that nature itself faces. Eventually\, and at different times\, each body-tree falls to the ground\, one by one\, where they remain until the last performer falls. The concepts of empathy and solidarity lead the dramaturgy: no one leaves until the last one resists\, we don’t leave anyone behind\, we support each other. Thus\, we call attention to the importance and strength of the collective and the possibility of diversity within it\, in the same way that naturecould resist in its biodiversity. Bosque/ Woods is a piece for contemplation\, where the public can be called to a place\, but also wants to take the audience by surprise\, people who pass by and who risk stopping for a moment and looking at the forest. This work is a proposal to look at these issues in a very poetic\, powerful\, ambitious and collective way. As the brazilian indígena leadership Airton Krenak says “….human beings have forgotten that nature is not separated from us\, nature is something that we are”. Within this Woods we-nature want to resist as long as we can\, together\, as one. 	\n\n\n	ABOUT THE CREATORS\n	\n		\n		\n	\n\n\n	\n		Catarina Saraiva PT\, Clarice Lima BR\, Nina Fajdiga SL and Aline Bonamin BR are female artists fromdifferent countries\, with different backgrounds\, who came together to develop this project. Theirpractices move between performance\, choreography\, dramaturgy and curatorship\, with strong creativeforces and desires.   Clarice Lima (1983\, Fortaleza) is a dancer\, choreographer\, teacher and director. Her trajectory is marked by an intense artistic production\, with national and international visibility. She graduated at Amsterdam School of Arts – MTD Netherlands 2006 and worked with Cristian Duarte/ LOTE BR\, Nina Fajdiga SL\, Jan Fabre/ Troubleyn BE\, among others. With her dance platform FUTURA she develops partnerships and creative strategies\, moving between the languages of dance\, performance and visual arts. She presented her works at the most important Brazilian dance festivals and abroad in Portugal\, Greece\, Spain\, Slovenia\, Belgium\, Chile and Uruguay.   Catarina Saraiva works between the European and South American continents. At the moment she is thecurator of Linha de Fuga PT and Festival Verão Azul PT\, she continues her connection with the South American continent with several projects\, institutions and artists. She was the curator of Movimiento Sur CH and of Panorama Festival BR. She’s interested in the development of critical discourses and the production of knowledge through art and interested in the synergies that can be developed between the two continents.   Nina Fajdiga (1979\, Ljubljana) is a choreographer\, performer and teacher\, graduated at Amsterdam School of Arts – SNDO Netherlands 2007. In 2006 she was awarded a most promising young choreographer byAmsterdam’s ITS festival. Her works have been supported by European Cultural Foundation\, SlovenianMinistry of culture\, produced and co-produced by DWA Amsterdam\, Huis aan de Werf Utrecht\, La CalderaBarcelona\, Tanzhaus Zurich and shown in various international dance festivals. As a performer she has collaborated with David Zambrano\, Pere Faura\, Clarice Lima\, Georg Hobmaier\, Katie Duck\, Matej Kejžar\,Simone Truong\, Matjaž Pograjc\, Sinja Ožbolt\, Mateja Bučar\, Gyula Cserepes\, Vita Osojnik\, among others.   Aline Bonamin (1984\, São Paulo) graduated in dance at Anhembi Morumbi University BR. Since 2013 she has worked in collaboration with Clarice Lima at FUTURA as a performer and choreographer assistant in the works Árvores/ Trees\, Dance Hurts\, Supernada EP01 and Bichos Soltos among others. She works as a performer with Cristian Duarte BR and Uxa Xavier BR. 	\n\n\n	IMAGE GALLERY\n	\n		\n		\n	\n\n\n	\n		\n\n\n\n	\n	\n	\n		\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n		\n	\n\n	\n	\n	\n\n	\n	\n\n\n	CREDITS\n	\n		\n		\n	\n\n\n	\n		Bosque/ Woods was selected by Big Pulse Dance Alliance and co-produced by Dublin Dance Festival (lreland)\, Julidans (Netherlands)\, ONE Dance Week (Bulgaria)\, Tanz im August / HAU Hebbel am Ufer (Germany)\, Dance Umbrella ( GB)\, CODA Oslo International Dance Festival (Norway) and presented by Zodiak – Side Step Festival (Finland)\, New Baltic Dance (Lithuania)\, International Dance Festival TANEC PRAHA (Czech Republic)\, Torinodanza Festival (Italy)\, supported by Europe Creative \, program of the European Union. With the support of the Office International de la Francophonie; the French Institute
URL:https://www.bigpulsedance.eu/event/carcass-mac-creteil-france/
CATEGORIES:Scaling Up
ATTACH;FMTTYPE=image/png:https://www.bigpulsedance.eu/wp-content/uploads/2022/10/CARCASS-–-Marco_da_Silva_Ferreira-©-José_Caideira_TMP-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230309
DTEND;VALUE=DATE:20230311
DTSTAMP:20261009T233631
CREATED:20230302T123905Z
LAST-MODIFIED:20230302T161253Z
UID:11313-1678320000-1678492799@www.bigpulsedance.eu
SUMMARY:Carcass | Dansa Metropolitana Festival (Barcelona\, Spain)
DESCRIPTION:Presented by:\n									When / Where / How long:\n									How much:\n									BOOK TICKETS\n							\n			\n									Presented by:\n					Tanec PRAHA \n									When / Where / How long:\n					28 & 29 May 2022 (Brno)2 June 2022 (Ostrava) 7 June (Pilsen) 11 June (Prague)   Duration varies \n									How much:\n					Free \n									BOOK TICKETS\n					Find out more at tanecpraha.cz.se  \n							\n		\n				\n				\n					\n		\n							\n		\n				\n						\n					\n			\n								\n				\n			\n	\n	ABOUT THE SHOW\n	\n		\n		\n	\n\n\n	\n		Bosque/ Woods is a desire to create roots in the city. The performance pursues the idea of impermanence and instability of the body\, nature\, climate and collective practices. With the collaboration of local participants\, who will stand together upside down\, the body inverts space and questions time. For how long will the body stand in? For how long will the forest stand in? The research goes beyond the idea of creating a landscape in the city\, potentiating collective practices. We need more than to plant some random trees in the corner of the cities\, in the side ways of the cars or where it’s convenient for human beings. The performance inquires about other possible ways for a body to resist\, to persist\, to carry through potentialities against the city concrete\, the lack of nature\, the climate changes\, the missing trees and the forgotten woods. The duration of this collaborative performance will vary according to the ability of each person to endure the head standing. The bodies’ struggle to remain upside down calls attention to the struggle that nature itself faces. Eventually\, and at different times\, each body-tree falls to the ground\, one by one\, where they remain until the last performer falls. The concepts of empathy and solidarity lead the dramaturgy: no one leaves until the last one resists\, we don’t leave anyone behind\, we support each other. Thus\, we call attention to the importance and strength of the collective and the possibility of diversity within it\, in the same way that naturecould resist in its biodiversity. Bosque/ Woods is a piece for contemplation\, where the public can be called to a place\, but also wants to take the audience by surprise\, people who pass by and who risk stopping for a moment and looking at the forest. This work is a proposal to look at these issues in a very poetic\, powerful\, ambitious and collective way. As the brazilian indígena leadership Airton Krenak says “….human beings have forgotten that nature is not separated from us\, nature is something that we are”. Within this Woods we-nature want to resist as long as we can\, together\, as one. 	\n\n\n	ABOUT THE CREATORS\n	\n		\n		\n	\n\n\n	\n		Catarina Saraiva PT\, Clarice Lima BR\, Nina Fajdiga SL and Aline Bonamin BR are female artists fromdifferent countries\, with different backgrounds\, who came together to develop this project. Theirpractices move between performance\, choreography\, dramaturgy and curatorship\, with strong creativeforces and desires.   Clarice Lima (1983\, Fortaleza) is a dancer\, choreographer\, teacher and director. Her trajectory is marked by an intense artistic production\, with national and international visibility. She graduated at Amsterdam School of Arts – MTD Netherlands 2006 and worked with Cristian Duarte/ LOTE BR\, Nina Fajdiga SL\, Jan Fabre/ Troubleyn BE\, among others. With her dance platform FUTURA she develops partnerships and creative strategies\, moving between the languages of dance\, performance and visual arts. She presented her works at the most important Brazilian dance festivals and abroad in Portugal\, Greece\, Spain\, Slovenia\, Belgium\, Chile and Uruguay.   Catarina Saraiva works between the European and South American continents. At the moment she is thecurator of Linha de Fuga PT and Festival Verão Azul PT\, she continues her connection with the South American continent with several projects\, institutions and artists. She was the curator of Movimiento Sur CH and of Panorama Festival BR. She’s interested in the development of critical discourses and the production of knowledge through art and interested in the synergies that can be developed between the two continents.   Nina Fajdiga (1979\, Ljubljana) is a choreographer\, performer and teacher\, graduated at Amsterdam School of Arts – SNDO Netherlands 2007. In 2006 she was awarded a most promising young choreographer byAmsterdam’s ITS festival. Her works have been supported by European Cultural Foundation\, SlovenianMinistry of culture\, produced and co-produced by DWA Amsterdam\, Huis aan de Werf Utrecht\, La CalderaBarcelona\, Tanzhaus Zurich and shown in various international dance festivals. As a performer she has collaborated with David Zambrano\, Pere Faura\, Clarice Lima\, Georg Hobmaier\, Katie Duck\, Matej Kejžar\,Simone Truong\, Matjaž Pograjc\, Sinja Ožbolt\, Mateja Bučar\, Gyula Cserepes\, Vita Osojnik\, among others.   Aline Bonamin (1984\, São Paulo) graduated in dance at Anhembi Morumbi University BR. Since 2013 she has worked in collaboration with Clarice Lima at FUTURA as a performer and choreographer assistant in the works Árvores/ Trees\, Dance Hurts\, Supernada EP01 and Bichos Soltos among others. She works as a performer with Cristian Duarte BR and Uxa Xavier BR. 	\n\n\n	IMAGE GALLERY\n	\n		\n		\n	\n\n\n	\n		\n\n\n\n	\n	\n	\n		\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n		\n	\n\n	\n	\n	\n\n	\n	\n\n\n	CREDITS\n	\n		\n		\n	\n\n\n	\n		Bosque/ Woods was selected by Big Pulse Dance Alliance and co-produced by Dublin Dance Festival (lreland)\, Julidans (Netherlands)\, ONE Dance Week (Bulgaria)\, Tanz im August / HAU Hebbel am Ufer (Germany)\, Dance Umbrella ( GB)\, CODA Oslo International Dance Festival (Norway) and presented by Zodiak – Side Step Festival (Finland)\, New Baltic Dance (Lithuania)\, International Dance Festival TANEC PRAHA (Czech Republic)\, Torinodanza Festival (Italy)\, supported by Europe Creative \, program of the European Union. With the support of the Office International de la Francophonie; the French Institute
URL:https://www.bigpulsedance.eu/event/carcass/
CATEGORIES:Scaling Up
ATTACH;FMTTYPE=image/png:https://www.bigpulsedance.eu/wp-content/uploads/2022/10/CARCASS-–-Marco_da_Silva_Ferreira-©-José_Caideira_TMP-1.png
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20230208
DTEND;VALUE=DATE:20230212
DTSTAMP:20261009T233631
CREATED:20230209T063408Z
LAST-MODIFIED:20230209T063743Z
UID:11286-1675814400-1676159999@www.bigpulsedance.eu
SUMMARY:Side Step Festival: Visiting Artist Programme 2023
DESCRIPTION:Presented by:\n									When / Where / How long:\n									How much:\n									BOOK TICKETS\n							\n			\n									Presented by:\n					Tanec PRAHA \n									When / Where / How long:\n					28 & 29 May 2022 (Brno)2 June 2022 (Ostrava) 7 June (Pilsen) 11 June (Prague)   Duration varies \n									How much:\n					Free \n									BOOK TICKETS\n					Find out more at tanecpraha.cz.se  \n							\n		\n				\n				\n					\n		\n							\n		\n				\n						\n					\n			\n								\n				\n			\n	\n	ABOUT THE SHOW\n	\n		\n		\n	\n\n\n	\n		Bosque/ Woods is a desire to create roots in the city. The performance pursues the idea of impermanence and instability of the body\, nature\, climate and collective practices. With the collaboration of local participants\, who will stand together upside down\, the body inverts space and questions time. For how long will the body stand in? For how long will the forest stand in? The research goes beyond the idea of creating a landscape in the city\, potentiating collective practices. We need more than to plant some random trees in the corner of the cities\, in the side ways of the cars or where it’s convenient for human beings. The performance inquires about other possible ways for a body to resist\, to persist\, to carry through potentialities against the city concrete\, the lack of nature\, the climate changes\, the missing trees and the forgotten woods. The duration of this collaborative performance will vary according to the ability of each person to endure the head standing. The bodies’ struggle to remain upside down calls attention to the struggle that nature itself faces. Eventually\, and at different times\, each body-tree falls to the ground\, one by one\, where they remain until the last performer falls. The concepts of empathy and solidarity lead the dramaturgy: no one leaves until the last one resists\, we don’t leave anyone behind\, we support each other. Thus\, we call attention to the importance and strength of the collective and the possibility of diversity within it\, in the same way that naturecould resist in its biodiversity. Bosque/ Woods is a piece for contemplation\, where the public can be called to a place\, but also wants to take the audience by surprise\, people who pass by and who risk stopping for a moment and looking at the forest. This work is a proposal to look at these issues in a very poetic\, powerful\, ambitious and collective way. As the brazilian indígena leadership Airton Krenak says “….human beings have forgotten that nature is not separated from us\, nature is something that we are”. Within this Woods we-nature want to resist as long as we can\, together\, as one. 	\n\n\n	ABOUT THE CREATORS\n	\n		\n		\n	\n\n\n	\n		Catarina Saraiva PT\, Clarice Lima BR\, Nina Fajdiga SL and Aline Bonamin BR are female artists fromdifferent countries\, with different backgrounds\, who came together to develop this project. Theirpractices move between performance\, choreography\, dramaturgy and curatorship\, with strong creativeforces and desires.   Clarice Lima (1983\, Fortaleza) is a dancer\, choreographer\, teacher and director. Her trajectory is marked by an intense artistic production\, with national and international visibility. She graduated at Amsterdam School of Arts – MTD Netherlands 2006 and worked with Cristian Duarte/ LOTE BR\, Nina Fajdiga SL\, Jan Fabre/ Troubleyn BE\, among others. With her dance platform FUTURA she develops partnerships and creative strategies\, moving between the languages of dance\, performance and visual arts. She presented her works at the most important Brazilian dance festivals and abroad in Portugal\, Greece\, Spain\, Slovenia\, Belgium\, Chile and Uruguay.   Catarina Saraiva works between the European and South American continents. At the moment she is thecurator of Linha de Fuga PT and Festival Verão Azul PT\, she continues her connection with the South American continent with several projects\, institutions and artists. She was the curator of Movimiento Sur CH and of Panorama Festival BR. She’s interested in the development of critical discourses and the production of knowledge through art and interested in the synergies that can be developed between the two continents.   Nina Fajdiga (1979\, Ljubljana) is a choreographer\, performer and teacher\, graduated at Amsterdam School of Arts – SNDO Netherlands 2007. In 2006 she was awarded a most promising young choreographer byAmsterdam’s ITS festival. Her works have been supported by European Cultural Foundation\, SlovenianMinistry of culture\, produced and co-produced by DWA Amsterdam\, Huis aan de Werf Utrecht\, La CalderaBarcelona\, Tanzhaus Zurich and shown in various international dance festivals. As a performer she has collaborated with David Zambrano\, Pere Faura\, Clarice Lima\, Georg Hobmaier\, Katie Duck\, Matej Kejžar\,Simone Truong\, Matjaž Pograjc\, Sinja Ožbolt\, Mateja Bučar\, Gyula Cserepes\, Vita Osojnik\, among others.   Aline Bonamin (1984\, São Paulo) graduated in dance at Anhembi Morumbi University BR. Since 2013 she has worked in collaboration with Clarice Lima at FUTURA as a performer and choreographer assistant in the works Árvores/ Trees\, Dance Hurts\, Supernada EP01 and Bichos Soltos among others. She works as a performer with Cristian Duarte BR and Uxa Xavier BR. 	\n\n\n	IMAGE GALLERY\n	\n		\n		\n	\n\n\n	\n		\n\n\n\n	\n	\n	\n		\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n\n	\n\n	\n\n				\n					\n		\n		\n		\n			\n															\n		\n\n	\n\n		\n	\n\n	\n	\n	\n\n	\n	\n\n\n	CREDITS\n	\n		\n		\n	\n\n\n	\n		Bosque/ Woods was selected by Big Pulse Dance Alliance and co-produced by Dublin Dance Festival (lreland)\, Julidans (Netherlands)\, ONE Dance Week (Bulgaria)\, Tanz im August / HAU Hebbel am Ufer (Germany)\, Dance Umbrella ( GB)\, CODA Oslo International Dance Festival (Norway) and presented by Zodiak – Side Step Festival (Finland)\, New Baltic Dance (Lithuania)\, International Dance Festival TANEC PRAHA (Czech Republic)\, Torinodanza Festival (Italy)\, supported by Europe Creative \, program of the European Union. With the support of the Office International de la Francophonie; the French Institute
URL:https://www.bigpulsedance.eu/event/side-step-festival-visiting-artist-programme-2023/
CATEGORIES:Festival
ATTACH;FMTTYPE=image/png:https://www.bigpulsedance.eu/wp-content/uploads/2022/12/Navy_Blue-Oona_Doherty-©-Dajana_Lothert.png
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END:VCALENDAR